There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

I don't want to appear hostile, like I'm hostile to L.A. or that I feel that the people don't appreciate jazz. I don't think it's that. I think it's something more. It's something a little bit more complicated than that.

My mother came from St. Thomas. I heard that melody and all I did was actually adapt it. I made my adaptation of sort of an island traditional melody. It did become sort of my trademark tune.

I feel that L.A. has not always been my strongest base for support. That can be for various reasons.

I miss playing with Miles. I did play with him a little while before he left the planet, but even at that time I longed to maybe do some things together.

Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing.

What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact.

You had many jazz musicians who lived in the United States, who had a hard time being accepted over here and had to play in sort of these inferior type dives.

I am a person who thinks about the music first in trying to achieve something musically valid.

I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere.

Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.

But if I didn't have to make money, I would still play my horn.

There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time.

I think as long as people are around and can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz.

It's all about creation and surprise. It just needs to be appreciated and watered like flowers. You have to water flowers. These peaks will come again.

I guess fortunate that I'm still around and I emphasize I guess because you never can tell what musicians would be playing had they been around as long as I have.

I have seen great jazz musicians die obscure and drinking themselves to death and not really being able to get any work and working in small, funky jazz clubs.

Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition.

I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with.

Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.

What I am more concerned about is whether our whole civilization will be around in the next 25 years.

I think the problem starts with the general appreciation of the music in the larger society.

I have always been a person who is concerned with the dignity of jazz music and the way jazz musicians have been treated and are treated, and the fact that the music has not been given the kind of due that it deserves.

I think we are in the midst of this period where we are committing this suicide on the planet and everybody is just using up all of our natural resources like a bunch of insane people. That's what I worry about more than I worry about jazz.

There have been many great musicians that, Clifford Brown is one great example, I mean he died very early, 25.

But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

Death comes not to the living soul, nor age to the loving heart.

I'm very pleased to be here. Let's face it, at my age I'm very pleased to be anywhere.

For example, UNICEF works with governments to change legislation such as in India where a law was passed raising the age of compulsory school completion to keep children in school and away from the workplace for longer.

I figured out it was a social thing, what women were allowed to do. At a very young age, I decided I was not going to follow women's rules.

I wish I knew at 14 not to put much thought into what other people my age said to me, cause we were all looking for the answers. So I wish I knew that other people really don't know any more than you do!

I believe very firmly that gay people of every stripe and age should be role models for all children, and that means interacting with them.

Donner likes what he does and enjoys being on a set. He doesn't have to do it, its not like he has to make the rent. When I get to be his age and still enjoy what I'm doing like him, I'd be lucky.

Does age matter? Time doesn't matter.

I realised from a very early age that God gave me a gift, and that gift was to run, and I wanted to use it to the best of my ability.

Looking back, I think we were all quite mature, surprisingly responsible. In earlier wars, boys of our age had just gone off to raise hell or enlist or both, but we stayed dutifully at our desks doing tomorrow's homework.

This is the patent age of new inventions for killing bodies, and for saving souls. All propagated with the best intentions.

Interest is the spur of the people, but glory that of great souls. Invention is the talent of youth, and judgment of age.

For me, having a child is a really great responsibility because you've got something there that is depending on you for information and love until a certain age when it goes to school.

I don't think at my age... you can start ruling people out in politics.

I figured my body always would be able to repair itself. I think all of us believe that - until you begin to age and get hit with deteriorating joints.

Another principle is, the deepest affections of our hearts gather around some human form in which are incarnated the living thoughts and ideas of the passing age.

I read. It's also nice for me to get involved in schoolwork, which is a totally different world than acting. It makes me feel like I am doing things that normal people are doing at my age.

When you're my age and you see a story, you better go for it pretty quickly. I'd just like to get a few more novels under my belt.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

Middle age is the awkward period when Father Time starts catching up with Mother Nature.

America doesn't reward people of my age, either in day-to-day life or for their performances.