You gotta make the movie you want to make.

I write in the mornings. During my down time.

You gotta make the movie you want to make.

I'm not saying they won't be bigger projects someday.

And I love doing my own projects; that's what I've always wanted to do.

My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.

I have consciously not taken the role of a gangster, which has been offered to me far too many times.

The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.

It's more interesting because you get to research the history of the period, and all the different aesthetic elements that make a film, particularly this film, so stunning.

As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.

I didn't know you had to change diapers so often. I couldn't believe it - we must change them 10 times a day - each. So that's 20 diapers a piece a day.

When I write a screenplay, and when I direct, I always pull lines out.

I never go overbudget on my movies.

I like to see how I can do it for less money.

I was dissatisfied just being an actor.

People wear shorts to the Broadway theater. There should be a law against that.

As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.

Big Night and The Impostors are both things that I wrote.

Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject.

But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.

I'm actually one who will encourage directors to cut my lines.

I was always attracted to the past as a kid.

I mean, Scorsese's a genius, and that's one way of shooting.

Even The Impostors, as silly as it is, is a very intimate film, in a way.

The thing is, I'm a very practical filmmaker.

I've always considered myself an actor first and foremost.

I would rather just do the things I want to do.

I'm not interested in wasting money on a project.

So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really.

Like Joseph Mitchell, I would scour the streets of New York and find little pieces of what other people think of as junk - and collect it.

I don't like to move the camera that much anyway.

I wanted to be an actor when I was a kid.

The majority of directors I've worked with didn't know how to talk to actors.

I make time to write.

I like to use all of myself, and acting wasn't doing that.

I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.

I'm a control freak. Totally.

I love directing - it's always so involving, so challenging.

I want to feel good, I want to feel proud, I want to feel that I give someone enough and that I get enough.

You should never feel comfortable. There is something wrong if you are. You should always feel under threat, on the edge of your seat and pushing yourself. Win one and you want to win more. It's never-ending.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.

I want the municipality to be a helping hand to the man with a desire of sympathy, to help the fallen when it is not in their power to help themselves.

Get me inside any boardroom and I'll get any decision I want.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

If I had to come up with something that just came to me, I think growing up in a small town, I want knowledge. I still think today, knowledge is one of the keys.

I want to thank all the fans for their support over the years. Keep supporting the Knicks, we're moving in the right direction here and we will be exciting to watch and competing against the best in the NBA. Come back to the Garden for those exciting games.

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun.

I want to spend more time with those kids. I want to dedicate my time to train those kids and teach them what it takes, what they need to do to get to this level.