The chief concern of the French Impressionists was the discovery of balance between light and dark.

The mystery is what prompted men to leave caves, to come out of the womb of nature.

Good buildings come from good people, ad all problems are solved by good design.

French architecture always manages to combine the most magnificent underlying themes of architecture; like Roman design, it looks to the community.

In Egypt, the living were subordinate to the dead.

Victorian architecture in the United States was copied straight from England.

The mandala describes balance. This is so whatever the pictorial form.

It is thought that the changeover from hunter to farmer was a slow, gradual process.

The corridor is hardly ever found in small houses, apart from the verandah, which also serves as a corridor.

Like flats of today, terraces of houses gained a certain anonymity from identical facades following identical floor plans and heights.

What people want, above all, is order.

The logic of Palladian architecture presented an aesthetic formula which could be applied universally.

In the East there is a gap between the top of a wall and underside of a roof; it acts as a screen, and the Chinese were able to use it as they wished.

In cities like Athens, poor houses lined narrow and tortuous streets in spite of luxurious public buildings.

Houses mean a creation, something new, a shelter freed from the idea of a cave.

The Romans used every housing form known today and they have a remarkably modern look.

The ancient Greeks noticed that a man with arms and legs extended described a circle, with his navel as the center.

The medieval hall house was very primitive when it became the characteristic form of dwelling of the landowner of the Middle Ages.

The Industrial Revolution was another of those extraordinary jumps forward in the story of civilization.

In Japanese houses the interior melts into the gardens of the outside world.

The English light is so very subtle, so very soft and misty, that the architecture responded with great delicacy of detail.

The Egyptian tomb was the outcome of the Mesopotamian influence and followed from the religious crisis the country had undergone.

Land is the secure ground of home, the sea is like life, the outside, the unknown.

Stonehenge was built possibly by the Minoans. It presents one of man's first attempts to order his view of the outside world.

The interior of the house personifies the private world; the exterior of it is part of the outside world.

The center of Western culture is Greece, and we have never lost our ties with the architectural concepts of that ancient civilization.

The garden, by design, is concerned with both the interior and the land beyond the garden.

The largest and most influential houses chiefly demonstrate the aloofness of the French approach.

The Japanese put houses in among the trees and allowed nature to gain the ascendancy in any composition.

The exterior cannot do without the interior since it is from this, as from life, that it derives much of its inspiration and character.

It was only from an inner calm that man was able to discover and shape calm surroundings.

Until we perceive the meaning of our past, we remain the mere carriers of ideas, like the Nomads.

People like terra firma, and they should be allowed to walk where they wish.

In the crowded and difficult conditions of a steep hillside, houses have had to struggle to establish their territory and to survive.

The chief concern of the French Impressionists was the discovery of balance between light and dark.

The frame of the cave leads to the frame of man.

Human requirements are the inspiration for art.

In the Scottish Orkneys, the little stone houses with their single large room and central hearth had an extraordinary range of built-in furniture.

The Egyptian contribution to architecture was more concerned with remembering the dead than the living.

It is hardly surprising that the Georgian domestic style emerges as the most remarkable in the world.

Up until the War of the Roses there had been continual conflict in England.

Georgian architecture respected the scale of both the individual and the community.

The greater the step forward in knowledge, the greater is the one taken backward in search of wisdom.

Of all the lessons most relevant to architecture today, Japanese flexibility is the greatest.

In Japanese art, space assumed a dominant role and its position was strengthened by Zen concepts.

The further forward we go, the further back we have to explore in order to go forward again.

The American order reveals a method that was largely the outcome of material necessity, as exemplified by the Colonial style and the grid.

Good buildings come from good people, and all problems are solved by good design.

Good buildings come from good people and all problems are solved by good design.