I don't cringe when I think of doing old material. A lot of the people have been with me through the years.

I don't cringe when I think of doing old material. A lot of the people have been with me through the years.

Folk-rock hasn't changed much over the decades since the Byrds started it.

There was just no way I could leave this little Martin guitar in my apartment overnight or even in the afternoon, and expect to find it there when I got back.

I just play, and I'm always trying to write songs.

So I played the acoustic guitar and harmonica and stomped my foot and I think I was right in assuming that Greenwich Village would be the best place to perform my own material and possibly get some attention, move on to making records and all.

I've had an advantage; I've had a sort of open public acceptance in New York that doesn't happen to just anyone trying to make the transition you were talking about.

I wouldn't be interested in just doing a show that's mapped out and choreographed with a set list. That would've been boring so long ago it just wouldn't be any fun.

And the music, as far as a type of music, it's still pretty viable.

You don't see a lot of difference between the Gin Blossoms and the Byrds.

I'm not trying to be the new anybody.

I relate to the audiences and they know me. It's pretty real.

But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.

It's often said that life is strange. But compared to what?

As you get out and try to do things, you always find that in order to make an idea a reality, it goes through some changes. It doesn't always come out exactly like you envisioned it.

For as long as I'm able to write songs and sing them, it's just about making them ones I feel proud to sing again and again.

I have a knack for writing tribute songs for people who will never know about them.

I like getting requests from audience members.

I'm never gonna be a Carlos Santana - an instrumentalist. I just like songs. It's three minutes of something that can be very powerful.

I'm still trying to make it. I'm still trying to get this over and do it and hopefully leave some kind of a mark on the course of American music, particularly in the tradition of what you might call the singer-songwriter.

If something doesn't work, you have to admit it. Always try to find what's going right and what's going wrong with your music. If you can, pool your resources and record yourself; do that frequently.

It's not like making records is terrible. Still, I do find the writing of the songs and the live shows to be the things that give you the most clear picture of what it's all about.

Music should be truthful and real, but it should also be healing and uplifting.

My priority doesn't lie with the whole website and Facebook and such; I'm still walking down the road in a pair of real shoes. You need to just play as much as you can. Get in front of people, as I've always said. It doesn't matter if it's ten people at an open mic or opening a show for someone. Play all the time.

People can't stay out of their cars. I do think we have a real problem staying out of our automobiles. We have a real dependency on them, and it may be for more than just transportation.

You have a song, and people know it. It's like a calling card for you.

You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The Ancient Mariner would not have taken so well if it had been called The Old Sailor.

If we're not on them, they go back to their old ways.

If you want to grow old as a pilot, you've got to know when to push it, and when to back off.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In those days, when you got boxed, that was it. A lot of old people were there because somebody wanted the farm. It was about property. People are treated like property.

I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.

Not that I wouldn't have been equally happy to see the old buddies and see it all start up again that way. But this was more of a work situation, and a very good one.

Yippee! I can't believe I made it. It feels like a long haul to get here. I'm so fine with it. People want you to have some sort of breakdown, but I'm relieved to be 40 years old, and I've lived a life.

There is a contest old as Eden, which still goes on - the conflict between right and wrong, between error and truth. In this conflict every human being has a part.

I was on TV for almost sixteen weeks during American Idol. It's at the point now where it's old.

I'm not an old, experienced hand at politics. But I am now seasoned enough to have learned that the hardest thing about any political campaign is how to win without proving that you are unworthy of winning.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

I was in the game for love. After all, where else can an old-timer with one leg, who can't hear or see, live like a king while doing the only thing I wanted to do?

So the old Copenhagen interpretation needs to be generalized, needs to be replaced by something that can be used for the whole universe, and can be used also in cases where there is plenty of individuality and history.

For me, the great problem growing up in England was that I had a very narrow concept of what God can be, and it was damn close to an old man with a beard.

Our society must make it right and possible for old people not to fear the young or be deserted by them, for the test of a civilization is the way that it cares for its helpless members.

I would not be gotten into a schoolhouse until I was eight years old. Nor did I accomplish much after I started. I doubt if I had gone to school six months in all when my father died. I was fourteen at the time.

Do what you love to do and give it your very best. Whether it's business or baseball, or the theater, or any field. If you don't love what you're doing and you can't give it your best, get out of it. Life is too short. You'll be an old man before you know it.

My life would have been different without Paul Stanley or Ace Frehley. They would have to be the greatest on my list as an influence to my life at 11 years old.

I was 48-years old before anybody talked me into it for medicinal purposes, instead of some of these drugs that they give you that will lead you to heart surgery and things of that nature.