The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

But now, more and more, its society is concerned with economy and finance.

The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have.

When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.

You cannot simply put something new into a place. You have to absorb what you see around you, what exists on the land, and then use that knowledge along with contemporary thinking to interpret what you see.

But in Japan, there's nothing like that, since the temple is made of wood. The divine spirit inside the building is eternal, so the enclosure doesn't have to be.

People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.

I believe that the way people live can be directed a little by architecture.

I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.

Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.

The speed of change makes you wonder what will become of architecture.

I would like my architecture to inspire people to use their own resources, to move into the future.

When I draw something, the brain and the hands work together.

I hope America can also be the cultural leader of the world, and use this frontier spirit to lead and show others that we need courage to go places where we have not gone before.

When you look at Japanese traditional architecture, you have to look at Japanese culture and its relationship with nature. You can actually live in a harmonious, close contact with nature - this very unique to Japan.

You always want to try to make something new, and, of course, America is the world leader in economics today.

At the same time, I would add that the American people have a lot of courage.

You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.

In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.

The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.

I hope that America as a whole, and especially its architects, will become more seriously involved in producing a new architectural culture that would bring the nation to the apex - where it has stood before - and lead the world.

My hand is the extension of the thinking process - the creative process.

There is a role and function for beauty in our time.

If you give people nothingness, they can ponder what can be achieved from that nothingness.

I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.

If there is only one culture all over the world, that's not a good thing.

In Japan, there is less a culture of preserving old buildings than in Europe.

Working in Tokyo has convinced me that, contrary to what people think, it is actually one of the world's most beautiful cities.

There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.

We must support initiatives that provide clear, concrete measures and milestones that our troops need for defeating the insurgency, building up Iraqi security forces, and handing over Iraq to the Iraqi people.

In other words, I have no truck for anyone who goes out and does an eclectic building.

We believe that peace is not just signed papers, but rather a contract between generations for the building of a more promising and less threatening future.

Belief in oneself is one of the most important bricks in building any successful venture.

Living at risk is jumping off the cliff and building your wings on the way down.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

Nature is my manifestation of God. I go to nature every day for inspiration in the day's work. I follow in building the principles which nature has used in its domain.

So I rang up a local building firm, I said 'I want a skip outside my house.' He said 'I'm not stopping you.'

We have a group of friends of the museum who try to raise, if they can, periodically something to help us. Of course, the main thing about a building like this is its upkeep. It needs central heating and it needs central air conditioning.

Rather, it is through conciliation and compromise that we are building a fair Iraq, a just state for all its peoples.

For the next century, the Republicans have agreed that we will promote the dignity and future of every individual by building a free society under a limited, accountable government that protects liberty, security and prosperity for a brighter American dream.

I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.

Well, by the end of the millennium, five, six months from now, we hope to somehow manage to move into a new location where we have the whole building, so we can devote space to all our activities.

The anger that appears to be building up between the sexes becomes more virulent with every day that passes. And far from women taking the blame... the fact is that men are invariably portrayed as the bad guys. Being a good man is like being a good Nazi.

Building one space station for everyone was and is insane: we should have built a dozen.

There are some who are scared by unity and by building a country on the basis of ideas.

I don't think so, in that Virgin is already a global brand. Brands like Amazon have had to spend hundreds of millions of pounds you know, building their brands, whereas Virgin is already well-known around the world.

Man is a fire-stealing animal, and we can't help building machines and machine intelligences, even if, from time to time, we use them not only to outsmart ourselves but to bring us right up to the doorstep of Doom.

For the first time in history all the major countries in the world are pushing together to reach this goal... building something in space that is really for all humankind.