When I am fascinated by something, I like to play with it.

Genre categories are irrelevant. I dislike them, but I do not have the casting vote.

If they had said my writing wasn't good enough, fair enough, that's an opinion. But to say it's too complex is to insult the intelligence of the so-called young.

The other writer who had a very important early influence on me when I was about 17 was C.S. Lewis.

I think of myself as a storyteller, and that is it.

I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.

Pirates have always fascinated me.

I never know where I am going, though. That is part of what makes it so wonderful. And after all, who does?

Writers tell stories better, because they've had more practice, but everyone has a book in them. Yes, that old cliche.

Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?

As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.

It's very selfish when I write. I'm not aware, ever, of writing for another person; I'm not even really aware of writing for myself.

At an early school, when I was about 5, they asked what we wanted to be when we grew up. Everyone said silly things, and I said I wanted to be an actress. So that was what I wanted to be, but what I was, of course, was a writer.

I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.

I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.

When I am fascinated by something, I like to play with it.

I'm writing what comes into my head, or through me, or from somewhere else, and it is the most extraordinary, exciting thing. I love it, and I'm very greedy, and I really enjoy it!

I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of normal work.

I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.

People are always the start for me... animals, when I can get into their heads, gods, supernatural beings, immortals, the dead... these are all people to me.

I like films, or some films, and would be intrigued to see my work on screen.

I've been criticised for writing in too complex a manner for younger people.

No one is ever ordinary.

It gets cold in the desert at night particularly up in the mountains the stars hammer on the rock and strike frost.

The guilty are always the most prone to establish complementary guilt and the most unforgiving thereafter.

No one asks a robot what he wants.

In the greater part of humankind there resides an instinct for survival. It is this which can clutch at straws and effect a rescue from them. It is this which can, now and then, outwit fate.

The worst vulgarity is to avoid vulgarity solely on the grounds that it is vulgar.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.