There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before.

I'm working on a very long series of paintings based on desert folklore.

I was a great fan of Jim Henson.

There are plenty of bad editors who try to impose their own vision on a book.

There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before.

But for me, really, the written word is always stronger than film.

Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller.

The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it.

I wanted to be a scientist. But I had no math skills.

I'd like to encourage people to please keep reading-and most importantly, to please keep trying new writers. The only way we can bring fresh new material into the field is if people go out and buy it.

I have a great respect for the academics who are working with the source material. My hat's off to them.

When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland.

A good novel editor is invisible.

I'm also looking for gems that the average reader might have missed.

I've only been living in England for the last 10 years, if you don't count my student years.

I divide my time between homes in Arizona and England, six months a year in each place.

In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.

Filmmaking can be a fine art.

Robert Jordan, whether he's writing with passion or not, I don't know.

Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.

Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!

What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past.

I'd had no particular interest in the Southwest at all as a young girl, and I was completely surprised that the desert stole my heart to the extent it did.

One of the best things about folklore and fairy tales is that the best fantasy is what you find right around the corner, in this world. That's where the old stuff came from.

We've always lived in dark times. There has always been a range of human experience from the sublime to the brutal, and stories reflect it. It's no less brutal now; each age has its horrors.

When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.

I'm an artist, I'm not an academic folklorist.

There have been a number of us working very, very hard to bring myth and fairy tales into public consciousness, through fantasy literature and other media. I hope we're succeeding in some small way.

My book collection is primarily in America, since that's where I've lived most of my life.

We're all misfits herefrom our weirdnesses and our differences, from our manic fixations, our obsessions, our passions. From all those wild and wacky things that make each of us unique.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The Ancient Mariner would not have taken so well if it had been called The Old Sailor.

If we're not on them, they go back to their old ways.

If you want to grow old as a pilot, you've got to know when to push it, and when to back off.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In those days, when you got boxed, that was it. A lot of old people were there because somebody wanted the farm. It was about property. People are treated like property.

I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.

Not that I wouldn't have been equally happy to see the old buddies and see it all start up again that way. But this was more of a work situation, and a very good one.

Yippee! I can't believe I made it. It feels like a long haul to get here. I'm so fine with it. People want you to have some sort of breakdown, but I'm relieved to be 40 years old, and I've lived a life.

There is a contest old as Eden, which still goes on - the conflict between right and wrong, between error and truth. In this conflict every human being has a part.

I was on TV for almost sixteen weeks during American Idol. It's at the point now where it's old.

I'm not an old, experienced hand at politics. But I am now seasoned enough to have learned that the hardest thing about any political campaign is how to win without proving that you are unworthy of winning.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.

I was in the game for love. After all, where else can an old-timer with one leg, who can't hear or see, live like a king while doing the only thing I wanted to do?

So the old Copenhagen interpretation needs to be generalized, needs to be replaced by something that can be used for the whole universe, and can be used also in cases where there is plenty of individuality and history.

For me, the great problem growing up in England was that I had a very narrow concept of what God can be, and it was damn close to an old man with a beard.

Our society must make it right and possible for old people not to fear the young or be deserted by them, for the test of a civilization is the way that it cares for its helpless members.