It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.

It's frustrating not to have more control over your material.

Grossing Out dealt with the western nations selling arms to the Third World and exploiting these countries.

I met Claxton on the set of The Cincinnati Kid.

Blue Movie was based on an idea that Stanley Kubrick had. Somebody came by one day with some porn footage.

The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.

I like to work at night.

For a director and a producer to be named on the writing credits is practically unheard of.

In the case of The Loved One, I was hired to collaborate on an updated version of the book.

I met The Beatles and Stones at the same time, because Michael Cooper was doing several of their album covers.

David Burnett was the son of Martha Foley, who edited the Best American Short Stories series. She hired me to work with David and her to read stories for the anthology.

Writing on a contract for a major studio you get the very best.

When Kubrick decided to go the black comedy route with his movie, he thought of me to give it that flavor.

In that sense, film is superior, but the difficulty is your lack of control as a writer.

The Loved One has been the most underrated film I've worked on.

It was a good experience working with Roger Vadim and Jane Fonda.

I think the degree of alienation and despair is more universal.

Sometimes we would be staked out in the middle of the river, several barges tied together. So we could party.

After Strangelove I also started work on an adaptation of The Collector.

It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.

An angel has no memory.

Peter Beard is one of those people I've known a long time. We have an affinity. We share certain values.

Someone wrote a piece about Henry Green in The Partisan Review that was so intriguing that I got one of his novels, Loving, I believe, which was the first that came to attention in the United States.

When I finally made it to the set, I spent a lot of time doing damage control on The Magic Christian.

You can't do the end of the world in a conventionally dramatic way or Boy Meets Girl way.

Men are often capable of greater things than they perform - They are sent into the world with bills of credit, and seldom draw to their full extent.

What the F.D.I.C. does is to put the full faith and credit of the United States government behind every savings account in the nation, up to a limit that has changed over the years and stands now at $100,000.

Over and over again, financial experts and wonkish talking heads endeavor to explain these mysterious, 'toxic' financial instruments to us lay folk. Over and over, they ignobly fail, because we all know that no one understands credit default obligations and derivatives, except perhaps Mr. Buffett and the computers who created them.

Until the control of the issue of currency and credit is restored to government and recognized as its most conspicuous and sacred responsibility, all talks of the sovereignty of Parliament and of democracy is idle and futile.

All the perplexities, confusion and distress in America arise, not from defects in their Constitution or Confederation, not from want of honor or virtue, so much as from the downright ignorance of the nature of coin, credit and circulation.

When you take a look at the problems our country is facing, debt is No. 1. The math is downright scary and the credit markets aren't going to keep on giving us cheap rates.

It's just that back then we didn't know that was considered being a coproducer. I would sit on the side and say what I wanted musically, but at the time we thought if you aren't the one playing it, you don't get the credit. Now you'll start seeing my name listed as producer.

Money is a poor man's credit card.

It is amazing what you can accomplish if you do not care who gets the credit.

You can always make a film somehow. You can beg, borrow, steal the equipment, use credit cards, use your friends' goodwill, wheedle your way into this or that situation. The real problem is, how do you get people to see it once it is made?

No one ever taught me and I can't teach anyone. If you can't explain it, how can you take credit for it?

A leopard does not change his spots, or change his feeling that spots are rather a credit.

Soldiers generally win battles; generals get credit for them.

It is only the poor who pay cash, and that not from virtue, but because they are refused credit.

When women love us, they forgive us everything, even our crimes; when they do not love us, they give us credit for nothing, not even our virtues.

Once a nation parts with the control of its credit, it matters not who makes the laws.

I do think actually in this case the government does get credit for funding some of the basic research.

And I have to credit David Jacobs with the opportunities he gave me. He was totally into sharing the creation of characters. David put together a show that told the story of people over many years' time and that was greatly enjoyable. Though nowadays that is frowned upon.

He only seems to me to live, and to make proper use of life, who sets himself some serious work to do, and seeks the credit of a task well and skillfully performed.

The business of a bank is to lend money; which amounts, nowadays, to lending credit.

I give Cronkite a whole lot of credit.

President Reagan always gave the credit to the American people and American ideals. He treated his job as a valuable temporary loan from the American people, a loan that should be respected and returned with dutiful appreciation.

God expects from men something more than at such times, and that it were much to be wished for the credit of their religion as well as the satisfaction of their conscience that their Easter devotions would in some measure come up to their Easter dress.

You can take no credit for beauty at sixteen. But if you are beautiful at sixty, it will be your own soul's doing.