I want to make movies that I want to see, and what I miss and I'm not seeing.

I spent a lot of years just learning my craft and falling down in front of the camera.

I'm a really huge fan of the old romantic comedies from the '30s and '40s... Huge fan. I love all that stuff.

I'm of the mind that life is a risk, every time you leave your house it's a risk, and I see no reason to go through life with my hands tied behind my back for any reason. I'd be foolish to let something stop me from doing what I love to do.

My dad was an entrepreneurial businessman, and maybe I got some of his ability.

I think what makes us human - is our interconnectedness among people. It's our ability to form and maintain relationships. It's the barometer by which we call ourselves human.

Some of the supporting roles that I've done as an actor, I took them because I knew that I would get to watch some of the leading guys in the movies, and also I'd get to work with them.

I'm interested in people that don't always do the right thing, its much more akin to what I know about life.

I still collect comics. I still have a great love and respect for the genre.

It's not that the film is violent, it's that people have an issue with violence right now.

To me, it's the kiss of death when you start winking at the audience as an actor. I just never liked it. I don't like it when we do monologues, looking into the character.

If I stay alert, then I can challenge myself, and by challenging myself, that helps me to stay alive and to hopefully take something away from the experience.

I'm interested in the impact my movies have on people and how it affects them, and what they like and what they don't like - and what they take away from it. What leaves an impression, you know?

Harrison Ford - one of my favorite actors - has a wonderful sense of character and depth and uniqueness to him, yet he's able to just deliver the lines without putting any English on it.

I just have a respect for my audience. That seems to be pretty logical.

I can't stand to see myself act. It just makes me cringe.

To stand there and do nothing on film is probably the hardest thing to do.

It's kind of true that they just start making the same movie over and over again. It's also true that the times dictate what kind of movies get made and what kind are not. So I'm always looking for something that's a little fresh and something that I haven't seen before.

Most of my career up until the last couple of years has basically been a training ground for me. Actors that came up in the '50s and '60s, they had the theater, and television was in its infancy.

I want to make movies that I want to see, and what I miss and I'm not seeing.

Earlier on in my career I felt that I had to hide behind a lot of different masks, and showboat ways of performing. Now, that's a lie. The less I have to hide, the less I have to act.

People lose people, we lose things in our life as we're constantly growing and changing. That's what life is is change, and a lot of that is loss. It's what you gain from that loss that makes life.

Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.

I think all good drama is funny. All the best drama is ultimately very funny. Life is funny. You can't have any honest treatise on life without bumping into some humor.

Sharing the same vision for what's on the page is always a good idea. The director's job is to establish what that is and make sure that everyone sticks to it when it comes down to actually executing it. Establishing what the vision is and being able to stick to it is the job, and everyone should be on the same page going in.

Some days are more intense and quiet, and then other days, you feel more relaxed and are able to open up on set. It just depends on what you're doing that day. I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene.

We're in the doing business, or acting business and creating business. We're not in the results business, so we don't have any control over what the result is. My reward comes in the doing of it.

Conformity is painful. You know its too tight. Conformity leads to rebellion. So a desire for happiness is in direct conflict with a desire for freedom.

Conformity is painful. You know, it's too tight. Conformity leads to rebellion. So a desire for happiness is in direct conflict with a desire for freedom.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.