The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.

Reading a novel in which all characters illustrate patience, hard work, chastity, and delayed gratification could be a pretty dull experience.

What I look for in any character, good or bad, is whether I can hear him speak. If I can imagine him that clearly, then I can write about him.

If you'll think about various series you've read, can you think of any instance in which, say, the tenth volume of the series is notably better than the first nine? I can't.

I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.

When I write a book, I'm making it the best book I can.

Much of what we do in life has a huge component of luck.

I do like to explore evil characters in my books.

I don't have dry seasons, because I don't allow them.

It was a lot of fun, and writing a series is comfortable. It's almost like having a secure job.

There are days when I intentionally don't write. For instance, I never write when I'm traveling, because travel is a situation where I can learn more by looking and listening than by working.

I don't think the problem is that people don't read enough mystery books, but that people don't read.

But at the same time, the commonplace statement about them is true: every character is the hero of his own story. Each has a justification for his actions that is convincing to him. It's fun to give these people voices.

I think we did a great job of putting together a program that would have made good e-books available had people been buying e-books in any real numbers.

I do try not to spend much time reading in the suspense genre.

The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.

I do hope to bring Jane Whitefield back before too long.

I had been writing fiction since I was in eighth grade, because I loved it.

Contrary to what many writers imply about the process, nobody forces a writer to sell his work to the film industry.

You have very accurately described the difficulty of presenting my books on film: many of my characters are alone most of the time, and when they do talk, what they say is mostly lies. That can make for a pretty confusing film.

If I don't have a project going, I sit down and begin to write something - a character sketch, a monologue, a description of some sight, or even just a list of ideas.

Yes, in my books I do edit myself to keep from becoming the Village Explainer.

Once you have invented a character with three dimensions and a voice, you begin to realize that some of the things you'd like him to do to further your plot are things that such a person wouldn't, or couldn't, do.

I don't consciously do anything to maintain a unique voice.

It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.

I do have to earn a living, so I'm conscious of probable reactions from readers, but the most important one is still the awareness that if I'm not enjoying a story, the reader won't either.

Being comfortable isn't the way to learn to expand your abilities.

I held a variety of jobs - most notably ten years working in universities - and kept on writing.

All writers are mimics, and I'm not interested in picking up somebody else's style or voice.

Fighting is not something you can just turn off.

I have had that same experience where there are several people who have come up in my life at the right time and have made critical contributions to how I see the world and how I see myself.

I try to keep away from being big-headed. That's what causes people to lose the acting thing. They start being commercial, and then they stink for the rest of their lives.

I wanna be your Friday night sweet ride. Summertime sunshine barefoot in the moonlight.

In effect, I feel like a blind, deaf, and illiterate person working through the sensibilities and multiple, real talents of other people. Everything I do is collaborative.

I think as any artist you always want to grow; you always want to get better.

The storm before the calm.

I grew up reading Updike. I remember being alarmed to find that he had published short stories by the time he was 22. I think 'Pigeon Feathers' was the first collection of stories I read. Only much later did I discover his non-fiction reviewing and art criticism.

There was never a child so lovely but his mother was glad to get him to sleep.

I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.

You don't stay married for 33 years and not compromise.

For me, since I have a life wish, not a death wish, for me, I was not gambling my life. I was doing something much more beautiful. I was carrying my life across.

I think poets are much more dramatic, more theatrical than fiction writers.

Introductions, that is, belong to the masterpieces and classics of the world, to the great and ancient and accepted things; and I am here introducing a short, small story of my own which appeared in The Evening News about ten months ago.

Differences among deaf people are okay, but we need to recognize those differences and work together.

I feel as though my life is bathed in golden sunlight. And the really wonderful thing is that I know it.

In my lab, we're finding that psychological stress actually ages cells, which can be seen when you measure the wearing down of the tips of the chromosomes, those telomeres.

We didn't score any runs today. That's not my fault.

Look, we have existed for 4,000 years - 2,000 years in diaspora, in exile. Nobody in the Middle East speaks their original language but Israel. When we started 64 years ago, we were 650,000 people. So, you know, we are maybe swimming a little bit against the stream, but we continue to swim.

I can't really stop doing the music because it really feeds me.