You're not allowed to step out of whatever the rules are, politically, or socially, and they'll get you for it, they'll hunt you down. That's the really frightening thing.

Towards the end of the Lord Chamberlain's era, when his hold was being loosened, private prosecutions began to happen. A member of staff at the Royal Court ordered to stop the play, and the police were brought in.

In 1968 the Arts Council managed to get a grant from the treasury to buy up a lot of derelict touring theatres and put them back in the hands of the local authorities.

Lord Chamberlain's readers or controllers, which were a handful of people working directly to him, were a very assorted group of people and some of them tried very hard to be as liberal as they could.

Suddenly we saw that you could do plays about real life, and people had been doing them for some time, but they weren't always getting to the audiences. They were performed in little, tiny, theatres.

You're not allowed to step out of whatever the rules are, politically, or socially, and they'll get you for it, they'll hunt you down. That's the really frightening thing.

The classical writers... playwrights, Jacobean, Elizabethan playwrights, all showed areas of all classes and how they live and painted them pretty authentically.

When you're writing about people that are not very well off, you seem to see the kitchen sink. So it was a bit of a sort of cosy phrase that got used a bit too much.

No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences.

The Long and the Short and the Tall made a great impression on me because it was a very ugly tale about the reality of soldiering at a time when we were being gung-ho about the whole thing of war.

The foyers now look ridiculously small to us because not all that many people used them.

Anybody can decide if they have got the money to fight a case if they don't like a particular thing, and they complain to the watch committee, local council or whatever.

I got very cross with the term, kitchen sink. It just meant that you invaded different kinds of houses, where it was very difficult to avoid kitchen sink.

I'm reluctant to use the word class so much.

I don't believe in right-angled turning points.

A conventional playwright tries to tell you more about the characters than they know about themselves.

There was no real fringe theatre in London until way after the war, so either a play was done secretly with a club licence or it was done openly and had to be assessed along with everything else.

There were loads of plays which were very popular before and after the war, where everybody wore a dinner jacket in the third act and it was in a house that you wished you'd owned with people that you wish you knew. It was life seen through a very privileged way.

The newly decorated theatres produced things like car parks and restaurants, so you could have a good night out, quite cheaply without all that bother of having to go somewhere else.

Certain things were deemed to be offensive. It was usually bad language.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

I like rules that are broken.

I figured out it was a social thing, what women were allowed to do. At a very young age, I decided I was not going to follow women's rules.

There are no rules for good photographs, there are only good photographs.

Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

There are no absolute rules of conduct, either in peace or war. Everything depends on circumstances.

Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

Some theists in evolutionary science acquiesce to these tacit rules and retain a personal faith while accepting a thoroughly naturalistic picture of physical reality.

Love begets love, love knows no rules, this is same for all.

Although spoken English doesn't obey the rules of written language, a person who doesn't know the rules thoroughly is at a great disadvantage.

In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.

Unless we repeal the illegal Byrd amendment, American exports will be vulnerable to retaliation, and the U.S. will continue to face a difficult task convincing other countries to make their laws comply with international rules.

What scared me in that debate is that it's not about the ownership rules at all. The vast majority of people don't even know what the rules say, to be perfectly candid. Name all six of them.

Today the tyrant rules not by club or fist, but disguised as a market researcher, he shepherds his flocks in the ways of utility and comfort.

I believe every chess player senses beauty, when he succeeds in creating situations, which contradict the expectations and the rules, and he succeeds in mastering this situation.

As far as critics, I'm not a hip guy. I was never on drugs. Nobody ever felt sorry for me 'cause I went straight or found God. I always had God. I've always like, played by the rules.

If you have always believed that everyone should play by the same rules and be judged by the same standards, that would have gotten you labeled a radical 60 years ago, a liberal 30 years ago and a racist today.

The rules are learnt in order to be broken, but if you don't know them, then something is missing.

Rape, mutilation, abuse, and theft are the natural outcome of a world in which force rules, in which human beings are objects.

Computers are like Old Testament gods; lots of rules and no mercy.

The trouble with referees is that they know the rules, but they do not know the game.

We see things like reciprocity which are fairly central to our view of ethics. But if you're talking about a set of worked-out rules on what we are supposed to do then, yes, it is a human product.

I am very proud to follow the rules of our company.

Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is sign on as its accomplice.

I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.

The head never rules the heart but just becomes its partner in crime.

The fact that biological, or "natural" rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.