I love Chekhov. I could go on all day about him.

Everything has to be pulling weight in a short story for it to be really of the first order.

You have to be kind of clued into them, they are a world of their own, and most people find them disappointing because the best short stories are not constructed like novels.

There's a joy in writing short stories, a wonderful sense of reward when you pull certain things off.

Like so many writers I started writing stories because I didn't have much time for anything else.

I try to help people become the best possible editors of their own work, to help them become conscious of the things they do well, of the things they need to look at again, of the wells of material they have not even begun to dip their buckets into.

I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.

The reader really has to step up to the plate and read a short story.

I teach one semester a year, and this year I'm just teaching one course during that semester, a writing workshop for older students in their late 20s and early 30s, people in our graduate program who are already working on a manuscript and trying to bring it to completion.

You don't teach information in a writing workshop.

Perhaps that is why the novel flourished in England. You had these communities that would stay put and people would see one another all the time and cause one another to change and have the opportunity to observe the changes over time.

That, for me, is a very important test of a young writer's commitment because most of them are going to have to continue doing that when they've finished the program.

It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.

Most of us don't live lives that lend themselves to novelistic expression, because our lives are so fragmented.

But a lot of writers - and I'm one of them - do tend to feel dissatisfied. It makes you a little hard to live with, but it's a goad and does keep you alert and restless.

Of course it's why you want to become a writer - because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.

I love Chekhov. I could go on all day about him.

Because I don't have to be careful of people's feelings when I teach literature, and I do when I'm teaching writing.

The short story, on the other hand, is the perfect American form.

When I was about 14 or 15 I decided to become a writer and never for a moment since have I wanted to do anything else.

There are writers who do start doing the same thing again and again and almost inevitably fall into self-parody.

Anybody can be very destructive in that position without at all meaning to be, and I know that I have been inadvertently destructive in the past for certain people on certain occasions.

But as my brother was doing his research for a book about my father, it became his opinion that the most influential anti-semitism my father encountered when he was growing up was from Jews, because his relatives were German Jews, and doctors.

Because the more you write the more you're aware of the weight of your tradition and the difficulties of the form and the more you have already done that you do not want to do again.

One of the last courses I taught was on the Russian short story, which I love.

Work for most people is really very social, and the actual thinking is often done in community.

And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doing something new. I appreciate that in other writers.

Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.

We each after a while have to become reconciled to what it is that our talents and appetites lead us.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

Even a stopped clock is right twice a day.

I'm working harder than ever now, and I'm putting on my pants the same as I always have. I just get up every day and try to do a little better than the day before, and that is to run a great restaurant with great food, great wine, and great service. That's my philosophy.

Failure happens all the time. It happens every day in practice. What makes you better is how you react to it.

The day cold and fair with a high easterly wind: we were visited by two Indians who gave us an account of the country and people near the Rocky mountains where they had been.