I still do some inking here and there and I've actually got a book that I'm going to ink entirely.

That was my fear, which is why when I was took over a book, I was always trying to tweak it a little bit so that it looked like I was trying to add something instead of keeping the status quo.

I think people would actually be surprised by what we put out. Unfortunately the shadow that the original founders cast was that they were just artists that can't write books so people swept the whole of Image with that paintbrush.

I'm tired of trying to get other people to see into my brain. I'm done.

I guess The Grudge made over $100 million, but none of them had long legs after they came out but they all opened up and found an audience. If you could make those movies for a price, which is what I want to do with Spawn, then you could have some success.

Given that I have to share my computer with my three children, it's not usually a site that I get to spend that much time on. I'm usually on the Nickelodeon site, coloring with my little five year old or something.

You've got to let it go and say it was the best I could do at that time and place in my life. You hope that the thing you're doing next is a little bit better.

It can't really happen today the way it did back then and part of that is because I think there's a bit of a competitive scare over at Marvel and DC so they lock guys up with exclusive contracts.

The attempt is that we want to get a couple of minutes under our belt, depending on how good the tests are and take that into Hollywood. The fallback is we're going to DVD anyways. We've got that covered.

Here is a fear for me, I never wanted to be one of those guys that was defined by a body of work 20 years old.

I even knew some of the dialogue but it was definitely cool to look at. We always argue that the movies should be loyal but in this case I could argue that it might have been too loyal.

That became a big time in comic books because it's when people were starting to break out into independent stuff, the market was getting choked with speculators and everybody was trying to do their own trick covers.

The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.

Image has to be its own fortress, in spite of the owners. People can't separate that or they don't comprehend that you can turn that on and off for each one of the different entities.

To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.

If I ever do anything, it actually might be some fantasy elf thing or even some cute, funny thing. Just to do something a little bit out of the ordinary. I've done my superhero gig.

A lot was happening, plus there were an enormous number of people in the industry that were going to conventions, so it was a pretty fun time. Also there was a lot of controversy and I was at the forefront of some of that.

Obviously Spawn was at the top of the charts at that point so you get a lot of opportunities.

Anthology shows as a whole scare people. The networks can't quite get their heads around it.

But again, I put in my time with Marvel and DC so there was that period of my life of trying to learn how to draw and tell stories in a proper fashion.

I'm a guy who likes to watch something cool, creepy and suspenseful and there is no show to watch as an adult that would scare me at for even four seconds.

I still do some inking here and there and I've actually got a book that I'm going to ink entirely.

I've been fortunate to come on places where the question isn't why did I do it? The question to me is always, why didn't anybody else do it before me? Those are the ones that I scratch my head about.

It works in the comic book, but as the audiences have gotten older and more sophisticated, I think the stories need to grow up with them. This is a story about a couple of rival gangs and what goes wrong in a couple of days.

Image has to be its own fortress in spite of the owners. People cant separate that or they dont comprehend that you can turn that on and off for each one of the different entities.

I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.

I've had an amazing ride. I've been blessed beyond things that I could never have imagined.

Universal suffrage should rest upon universal education. To this end, liberal and permanent provision should be made for the support of free schools by the State governments, and, if need be, supplemented by legitimate aid from national authority.

People are tired of mainstream media's limited and confined portrayal of people of color.

I don't want to see a movie twice. I don't want to do anything twice.

Our planets alarm is going off and it is time to wake up and take action

I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.

I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.

I say violence is necessary. It is as American as cherry pie.

As I understand it, Lacey has dismissed all of the fact checkers.

Enthusiasm for a cause sometimes warps judgment.

I'm also looking for gems that the average reader might have missed.

And today more than ever, knowing about that society involves first of all choosing what approach the inquiry will take, and that necessarily means choosing how society can answer.

What I wish is that people would look beyond the tribbles and see I've written some other books that I really would like people to notice. There's 'The Man Who Folded Himself,' there's 'The Martian Child,' which is about my son and the adoption. There's 'The War Against The Chtorr,' which is my magnum opus, my great epic story.

I look for the humanity in people, however big the politics or oppressive the situation may be, whether it's subsumed within a human being or between two human beings. I want to help us hold a mirror to ourselves.

It is interesting that both Chicano and Puerto Rican art in the United States form an important part of the Civil Rights legacy and dialog.

I learned a lot from Xavier Cugat.

When the tyrant has disposed of foreign enemies by conquest or treaty, and there is nothing more to fear from them, then he is always stirring up some war or other, in order that the people may require a leader.

At one stage, I didn't have any money, so I slept on the streets for a few nights. It wasn't uncommon in the 1950s, and it wasn't uncommon to be out of money. There wasn't anywhere to go to get money.

For movies to get greenlit solely based on the success of other movies that have a lot of women in them? It's so ridiculous to me.

You know, veterans come home and they may not be bipolar, but after they've been through a war with PTSD or a head injury, their families have a handful when they come home.

A young bride is like a plucked flower but a guilty wife is like a flower that had been walked over.

One possible future for WikiLeaks is to morph into a gigantic media intermediary - perhaps, even something of a clearing house for investigative reporting - where even low-level leaks would be matched with the appropriate journalists to pursue and report on them and, perhaps, even with appropriate NGOs to advocate on their causes.

We may be in a tough time right now, but when we are in a tough time is when our movement gets really strong.