Sometimes you could tell what it was about - it was interesting - and sometimes it was quite obvious that someone had lost it and it was on an endless loop.
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'Something/Anything?' was kind of a different record, since I'm playing everything myself. A lot of the songs on there have a particular kind of instrumentation that is much like a guitar quartet, and in some ways, it's an exceptional song on that record because so much of the writing on 'Something/Anything?' is piano-oriented.
'State' can be a word that is a noun or a verb or an adverb - it's kind of why I chose that title. It's not to confound the audience but to keep me from painting myself into a cul-de-sac in the early stages of making a record by having too high concept or having some really strict set of rules I have to adhere to.
All it takes to become president is money and a certain kind of power. Being president is the first thing I can shoot for, not the highest. It may come to a point where people take rock and roll musicians more seriously than they take politicians. It may eventually turn out that musicians have more credibility.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
I really consider myself fortunate to have been of age during the musical revolution that came in the form of the Beatles. People don't realize that previous to the Beatles, there really was no such thing as an album artist. People made singles. Then they would put a bunch of those singles together and call it an album. And that was it.
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.