Most drama in our lives is really rather squalid.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

We have newsreaders behaving like actors, lowering their voices if it's a sad story, as if we didn't know it's a sad story. There isn't a single cool newsreader.

I think quite often a fate worse than death is life - for lots of people.

Most drama in our lives is really rather squalid.

I'm obsessive about the kind of melodrama of getting through the days and trying to make them good and funny and a happy experience. But my feeling towards the fans is that they delivered me from darkness.

Politicians are just Daily Mail journalists writ large, aren't they? They're always telling us what's going to happen, and we know they don't know!

I never examined what I did in any great detail because I thought it would spoil things. I never read the scripts at all carefully, and never wanted to know what was going on, because I felt that being a benevolent alien that's the way it should be.

Not only don't I know who I am, but I'm very suspicious of people who do know who they are. I am sometimes ten or twelve people a day, and sometimes four or five people an hour!

I have never described the time I was in Doctor Who as anything except a kind of ecstatic success, but all the rest has been rather a muddle and a disappointment. Compared to Doctor Who, it has been an outrageous failure really - it's so boring.

I am a one success man.

I don't watch television. I know better than that.

I have no regrets about being 'Doctor Who'. It was the greatest thing that ever happened to me.

I really think that reading a whole script is kind of prying and neurotic, don't you?

I think people can believe in anything.

I think quite often a fate worse than death is life, for lots of people.

I used to always be putting my hat on children being photographed and then getting home and discovering I was riddled with lice. That used to happen very, very regularly. I used to get headlice all the time.

I was never really happy until I became 'Doctor Who'.

I wasn't interested in novelty. I was looking for good drama.

I've been involved in one or two successes in classical plays but nothing to touch the excitement and the glamour and the gratification of being a children's hero for so long.

It's funny, in literature no one ever goes to the lavatory.

Lis Sladen was very important to me, you know. When I joined the little world of 'Doctor Who', Lis was already a star.

My capacity as a monk was to passionately believe utter nonsense, and when you're an actor you have to do the same thing. Also, Christianity used to have a lot to do with self-loathing and an acceptance of criticism and things like that which is terribly important for actors.

One longs to be funny, to make people laugh. Laughter is such a sign of approval, isn't it?

The Old Testament is my favourite science fantasy reading.

The thing is I'm very interested in bad taste, as anyone who's ever seen me perform or had dinner with me would know.

We are pre-disposed for fantasy, there is a natural impulse for human beings to want to get off their heads or out of their heads in something in a substance or a drink or an idea or a religion which will comfort them and make life exciting.

Well, I think people don't recognise my face because I'm so much older now, but it is astonishing that people can recognise a voice. I do sometimes get recognised, and indeed a lot of people do come and see me.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

Some Christmas tree ornaments do more than glitter and glow they represent a gift of love given a long time ago.

Respect is more than giving consideration of ones feelings. It is showing common courtesy for another human being.

Loving friends let kindness grow in their hearts, creating a oneness with their souls.

A great tribute, is expressing the great love for a Grandmother we share with our children.

I did radio back in the era when we did radio drama.

By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.

You have to go to the ultimate situation in drama.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

For me, football is just a game, not a drama.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

I'm doing music, and we both want to do some drama.

Culture clash is terrific drama.

I want to do drama, light comedy, the whole range.

We respond to a drama to that extent to which it corresponds to our dreamlife.

I always feel like an interloper when I do serious drama. It's my own paranoia.