Debra Winger doesn't let anything interfere with her performance, which is the way it should be.

I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set.

I like playing flawed characters, people who aren't perfect.

You can't think that you're playing a villain, or you'll end up with a cartoon. You have to think about him as a person and a hero.

We had training camp for a week, and we used the actual military drills of that period. We didn't have to work out much after hours, because going up and down hills all day was a good workout in itself.

Around mid-life everyone goes maniac a little bit.

I wrote a script. I actually enjoyed writing it more than acting. It's about the Irish rebellion of 1920, which is a fascinating period and place for me.

These days, you can do a TV series for five years and all of a sudden be on top of the business. Features don't even run in theaters very long anymore before going right to television.

I got to talking to an old actor, and he had a bunch of stories about the Rough Riders.

I was kind of confused. I thought, Well, if I get drafted, I'll go. Everybody was very concerned with it. I had friends who went. Some that came back and some that didn't.

I have family obligations and all that stuff. I get my kids six weeks in the summer, which is a real intense period of time. I'm with them every minute of the day.

I feel more comfortable doing films with groups of guys. It's a lot easier for me. There's a difference with women: you can't take them to dinner every night and go crazy.

I don't care about being a star. I can do a supporting role; I don't have to be a lead.

I'm probably satisfied with my career 80 percent of the time.

I've done about six comedies. Oddly enough, the script came to me from one of the guys in Platoon.

The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them.

In this industry, the new owners prefer to kill anything they weren't responsible for.

I had already done a lot of research for Rough Riders, keeping notebooks and old photographs. Some of the books were antiques for that time period, with the covers falling off.

Take characters that Nicholson or De Niro play: they're not always tough.

To people outside, they think, Gee, that's great. You get to go here and there. The other side of that is our expression, This is location, not vacation.

I was so exhausted after fighting for the project for five years, shooting it was like the Bataan Death March.

I don't think a director should have any kids. I don't even think it's good for your physical health. Even guys in their 30s look exhausted because directors never get enough sleep. What I do is stressful enough.

Sometimes I think I'm real predictable to myself and other times... you always wonder, Is this really what I wanted to do? Did I make a mistake? Should I be doing something else?

I came in on the tail end of the old school of Hollywood.

My mother, sister and I watched through the windows as my father gambled.

Even my agents say, We don't know what this business is anymore.

Debra Winger doesn't let anything interfere with her performance, which is the way it should be.

I guess if I weren't an actor, I'd be a history professor.

This is all new to me, these re-releases. I don't know how these things do. I don't know if it will be people who saw it originally or young people.

There's a hysterical, tired sense of humor that comes after working 14 hours a day, six days a week. I like those things because they take the pressure off the constant stress.

Every other movie is one of those action things. I mean, 'Lost in Space'? A bunch of good actors running around shooting at special effects on a soundstage? I took my kids to see that and felt like I was on an acid trip.

While I was doing these plays in the beginning, I wasn't getting paid. I thought of it more as a hobby. Then I realized how seriously a lot of these people took what they were doing.

Rough Riders took 13 weeks to shoot, plus a week of training. The same guy trained us trained the cast in Platoon. Except, instead of radios, we used bugles to signal.

Most of what gets made now, you laugh your way through, go home and forget you've seen it.

I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Firms would be given initial entitlements to gross markup on the basis of past performance. These entitlements would be transferable and a market in them would be developed.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.

To boast of a performance which I cannot beat is merely stupid vanity. And if I can beat it that means there is nothing special about it. What has passed is already finished with. What I find more interesting is what is still to come.

The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before.

From protecting our natural resources to providing maritime security and national defense, the Coast Guard's duties are broad in scope, and the performance of those duties has never been more important.

To vote is like the payment of a debt, a duty never to be neglected, if its performance is possible.

I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.

Unless an entire row of people got up in the middle of a performance and left the theater in disgust, I felt as though I hadn't done my job.

I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.

What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.

I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.

I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.