All my movies, like Revenge, are under two hours.

I think we're lucky because there are very few people in life who get to do what we're doing.

I make a movie because it's something that inspires me.

All my movies, like Revenge, are under two hours.

Out of the total of 11 movies, I got slammed.

We come from a tough, working class background, so we're very tight.

The world is sick of big IT things that don't work.

We don't ever want IT to be the thing that holds GM back.

We think of enterprise architecture as the process we use for fully describing and mapping business functionality and business requirements and relating them to information systems requirements.

GM is a highly collaborative organization; we rely on a whole tier of suppliers for everything that we do.

I have a short attention span.

I thought that subtitles are boring because they're there generally to serve us with information to make you understand what people are saying in a different language.

Ridley and I talk every day. Our family is very close because we're from North England.

There's one great script that hit my desk that I didn't change at all, and that was True Romance.

A lot of actors talk about doing their homework, but very few of them do it.

Dad never understood why Ridley wanted to go to art school, and then I came along six years later and wanted to do the same thing.

Dad was a very gentle, sweet man.

Dad was a very gentle, sweet man. Mum was the matriarch and the patriarch of the family. She ran the roost with a steel fist, but at the same time there was respect and love for her.

I like changing the pace of my life, changing my discipline. It gives me ideas for how to see the world differently.

I'm a plagiarist - I always look back at other movies, and I steal, but I steal well, and I reinvent.

If you look at my body of work, there's always a dark side to my characters. They've always got a skeleton in the closet; they've always got a subtext.

Mum was the matriarch and the patriarch of the family.

The biggest edge I live on is directing. That's the most scary, dangerous thing you can do in your life.

The scariest thing in my life is the first morning of production on all my movies. It's the fear of failing, the loss of face, and a sense of guilt that everybody puts their faith in you and not coming through.

The true excitement comes from the actors - that gives you the true drama - and whatever I can do with the camera, that's icing on the cake.

We had a brilliant upbringing, and we never wanted for anything, even though we went through highs and lows of finances.

What always leads me in terms of my movies are characters.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

I feel like I'm a fighter. I've fought my whole life to get to where I'm at. I like fight movies. When someone gets knocked down, I like to root for him to succeed.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.