My profession is called record production.

Rock and Roll has certainly tried to take its toll on me. I'd rather not talk about my past excesses here, although some hardcore rockers might argue that those excesses were responsible for some great records, but I know which side I came out on.

Since my teen years I was interested in martial arts.

When I was five my parents bought me a ukulele for Christmas. I quickly learned how to play it with my father's guidance. Thereafter, my father regularly taught me all the good old fashioned songs.

I also mixed David Bowie's Young Americans album in 5.1 earlier this year and it will be available very soon. Even the original stereo mixes have been re-mastered and sound amazingly good, better than ever, in fact!

My father loved people, children and pets.

Marc Bolan had inspired so many people to pick up a guitar and join a band.

Fortunately I own a vintage brain, and I am alive and well in the 21st century, still making records, still working at an intense pace and most of all, still having fun doing it.

Now I know what it's like to be a rock star. No, I didn't sleep with 5 groupies at once. But I was interviewed about 45 times in 5 days in 3 cities.

Oh, it was so hard to leave Paris, just about my favorite city in the world.

My father had a brilliant scholastic record in high school and was awarded a college scholarship. Unfortunately he had to turn it down so that he could continue to support his family.

Our last jam session was this past Christmas. Dad played his harmonica, mom sang in English and Italian, and I played guitar. I'm so happy that we could share that musical experience for one last time.

No one else in our family was a professional musician so this took an enormous leap of faith on their part.

I grew up to the sound of live music in our Brooklyn household.

Computers have virtually replaced tape recorders.

In August most of Europe goes on holiday.

Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one.

My profession is called record production.

My dad's sense of humor was direct and sometimes surreal - his quick wit is well known amongst our family and friends. He raised me on Spike Jones records and W.C. Fields movies, and his sense of humor fell somewhere in between.

I am flying back to New York as I write this. I will never forget these wonderful 35 days and I would go back to Copenhagen in a heartbeat to work there again.

Today's recording techniques would have been regarded as science fiction forty years ago.

I could never have a better teacher in those days than my father.

I make records with an open mind, I always have.

I keep reviewing my feelings about the supernatural.

In the last 17 years of his working life, my father was finally rewarded with having landed a great job as first, a maintenance engineer, and then a senior locksmith with the Federal Reserve Bank of New York.

I love Logic Audio and have been using it for years. All my track outputs used to come up on my old board in the same order as in the old Mac G4 - 1 through 32, came up as 1 through 32, for instance.

Despite a few really bad days we had quite a lot of fun making Low, especially when all the radical ideas were making sense and things were starting to click.

Finally, I would like to remind record companies that they have a cultural responsibility to give the buying public great music. Milking a trend to death is not contributing to culture and is ultimately not profitable.

We always started these albums as making demos, that went right on until Scary Monsters.

I am not a creature of habit.

It is easily overlooked that what is now called vintage was once brand new.

Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.

The ukulele was the first of many instruments they had bought for me. They got me a guitar when I was eleven, which my son Morgan uses until this day. They paid for 3 years of guitar lessons; they bought me a bass fiddle, which I still play.

But some great records are are being made with today's technology and there are still great artists among us. Likewise there are artists today who are so reliant on modern technology, they wouldn't have emerged when recording was more organic.

I am not stopped by low funds, physical exhaustion, mental exhaustion, or temptations to stop and work on some other production that would be more financially rewarding.

Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

So I decided to form a production company with my wife and our partner Diane.

Capital is a result of labor, and is used by labor to assist it in further production. Labor is the active and initial force, and labor is therefore the employer of capital.

It is obvious that the greatest and most important service that is required of our agriculture under existing conditions is an enlarged production of the staple food crops.

Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.

From another point of view, a new situation now seems to be arising in which Japan's prosperity is going to be incorporated into the expanding potential power of both production and consumption in Asia at large.

I used to be pretty reckless. When I was a runner for a production company, I drove a massive 16 seater van. I was only 18. I mean I look young now, but then I looked about 12.

He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.

I ask every Communist individually to set an example, by deeds and without pretense, a real example worthy of a man and a Communist, in restoring order, starting normal life, in resuming work and production, and in laying the foundations of an ordered life.

The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before.

After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.

If you look over the years, the styles have changed - the clothes, the hair, the production, the approach to the songs. The icing to the cake has changed flavors. But if you really look at the cake itself, it's really the same.

I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance.