Well, unbeknownst to everybody, I did a movie when I was 19.

I don't mind snakes. Growing up in South Africa there were a couple a snakes around... and I'm not talking just about the government!

One of the things I try to be very careful of is not taking a movie when I know I have no inspiration left.

I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.

Unless the guitar works as a color, then I don't use it, so I haven't been playing guitar too much lately.

I love being in a band. I love that collaborative spirit, although some would suggest that I don't get involved in the collaborative spirit, but it's not true.

When I finished a song that I thought was good, I thought, I don't know where that came from, so I have no idea if I can do that again. I'm talking like, a hundred and fifty songs down the line. I still feel that.

I really love writing themes and melody.

You know, usually with movies there are periods, dark areas, where I might not be getting what I wanted out of a theme. I'll have to go over and over it again.

Getting back to the point, a guy like Jerry, he deals with the business, and he doesn't see it as being evil or ugly, it's what you have to do, and I mean I know there's some really ugly parts to it and parts which drive me nuts, but not in the same way as music business.

Yes was a band where we could explore some of those ideas, but I knew that if I wanted to get into orchestral music and make a living at it, movies seemed to be a perfect spot.

I thoroughly enjoyed working on Enemy of the State. Tony Scott is an important director, and has an amazing ability to express himself, and he doesn't do it in musical terms , he does it in emotional terms. I got along really well with him.

I'll always do the guitar parts since it's my main instrument.

All of the directors I've worked with I've gotten along with very well.

I will be doing a film called Whispers, for Disney. It's about elephants, and doesn't have any people in it. It will be a live action film - I don't know how much I can say about it, since I still don't know too much about it.

Well, unbeknownst to everybody, I did a movie when I was 19.

Yes well I've done three movies with Samuel L. Jackson, so I've met him a couple of times already. Well, I see him everyday, but its only on the screen.

While I'm quite happy and love doing the atmospheric and quirky stuff, the melodic stuff, I've done quite a lot of. It's also another reason why I try not to do two or three at the same time.

Writing a simple melody can take weeks to get it right where I want it, but I do quite enjoy it.

It's an important thing to have a relationship with the director, and have it be a positive one.

I grew up in such a musical family, and my dad was the first chair in the Johannesburg Symphony Orchestra, and my mom was a piano teacher and a painter, so it was kind of a creative environment, and it was kind of in my DNA.

I just loved classical music, but I also loved playing rock guitar, and I loved playing piano, so it was a natural thing that those things would merge at some point.

I never actually had a guitar lesson. I taught myself the guitar from piano exercise books, which led me to have a pretty good technique on the guitar and allowed me to find different ways to do things.

I thoroughly enjoyed working on Enemy of the State. Tony Scott is an important director, and has an amazing ability to express himself, and he doesn't do it in musical terms, he does it in emotional terms. I got along really well with him.

In my day, when I was a young kid, army duty was compulsory in South Africa or you go to jail. I had the choice, so I spent a year in the entertainment unit, and outside of doing shows - and I used to write for, arrange for the big band - outside of doing that, I actually had a rock band in the army.

The process of composing the film score for each movie is completely different. They all have their own personality and their own completely different life, but there's never been a formula. Each time, it's a new thing.

When you do a record like 'Talk,' and you're happy with it, and it reaches your ambitions and then doesn't sell as well as you wanted, it kind of takes the wind out of your sails a little.

You can't judge an album by a single song; it's like judging a book by only reading a single chapter.

Unless the guitar works as a color then I dont use it so I havent been playing guitar too much lately.

I love being creative. I love acting, but I also love directing because you get to have a vision for the whole and bring that vision to fruition.

People come up and say, 'Hey, I know you!' They're middle-aged women and big burly guys. They say, 'Don't tell anyone, but I watch Felicity, and I think it's great.'

Its just better to promote love and fairness and equality than it is to promote something you think is based on your religious beliefs.

I am shocked at the attitude of our American troops. They have no respect for death, the courage of an enemy soldier, or many of the ordinary decencies of life.

I was a judo athlete, while taking modeling as my side job, before I eventually quit my professional sports career over a knee injury.

When I am angry, I pray God to swing our globe into the fiery sun and prevent the sorrows of the not-yet-born: but when I am content, I want to lie forever in the shade, till I become a shade myself.

I almost never invest in ideas or plans, so you'll need to have a company and at least a product, if not customers.

On a very, very basic level, I'm definitely pro market because with the market comes the idea of the individual and the idea of specialisation, and I personally like being an individual and choosing my interactions. I don't see culture moving away from that, like back to a farming society. You couldn't do that with the amount of people we have.

My eyebrows make a more profound impact on other people than they do on me. I just let 'em grow.

Mike Watt and I had the same teacher. Mr. Tanaka.

He who would learn to fly one day must first learn to stand and walk and run and climb and dance one cannot fly into flying.

I was always depressed growing up. There wasn't a reason for it, I just was. I was sad and morose. I cried a lot, I wrote a lot, and I read a lot; and that was how I dealt with it.

First and foremost when you're doing comedy, you gotta be relevant and applicable to the times that you're living in. When you try and just do comedy about who is dating who and lifestyle jokes, it gets tiring after a while. It's hard to be funny in that realm.

Some people say the worst way to miss someone is when they are right next to you and know you can't have them, but it's worse when you thought you didn't want them anymore and then all of a sudden you realize you can't live without them.

I am pro-American.

Google is working on self-driving cars, and they seem to work. People are so bad at driving cars that computers don't have to be that good to be much better.

Word of mouth travels faster than anything else.

Years ago nobody was elected on the economic ticket. It was either the education platform, or it was health or it was other issues. It is only recently that economic values have superceded every other human value.

Beautiful people are always with us, as evolutionary psychologists and a trip to the news-stand confirm.

Personal development is a major time-saver. The better you become, the less time it takes you to achieve your goals.