A dream is a scripture, and many scriptures are nothing but dreams.

The comic is the perception of the opposite; humor is the feeling of it.

There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.

A dream is a scripture, and many scriptures are nothing but dreams.

I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.

Fear prophets and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them.

Better reality than a dream: if something is real, then it's real and you're not to blame.

Perhaps the mission of those who love mankind is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth.

But now I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.

The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.

Translation is the art of failure.

When men stop believing in God, it isn't that they then believe in nothing: they believe in everything.

A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.

The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else.

Nothing gives a fearful man more courage than another's fear.

I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.

In the United States there's a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.

A secret is powerful when it is empty.

A transposable aphorism is a malaise of the urge to be witty, or in other words, a maxim that is untroubled by the fact that the opposite of what it says is equally true so long as it appears to be funny.

After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.

All the religious wars that have caused blood to be shed for centuries arise from passionate feelings and facile counter-positions, such as Us and Them, good and bad, white and black.

As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.

Beauty is boring because it is predictable.

Because of lies, we can produce and invent a possible world.

Berlusconi is a genius in communication. Otherwise, he would never have become so rich.

But Italy is not an intellectual country. On the subway in Tokyo everybody reads. In Italy, they don't. Don't evaluate Italy from the fact that it produced Raphael and Michelangelo.

Captain Cook discovered Australia looking for the Terra Incognita. Christopher Columbus thought he was finding India but discovered America. History is full of events that happened because of an imaginary tale.

Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.

Conspiracies do exist. Probably in this moment in New York there is an economic group making a conspiracy in order to buy three banks. But if they succeed, they are immediately discovered.

Creativity can only be anarchic, capitalist, Darwinian.

Dan Brown is a character from 'Foucault's Pendulum!' I invented him. He shares my characters' fascinations - the world conspiracy of Rosicrucians, Masons, and Jesuits. The role of the Knights Templar. The hermetic secret. The principle that everything is connected. I suspect Dan Brown might not even exist.

Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.

Entering a novel is like going on a climb in the mountains: You have to learn the rhythms of respiration - acquire the pace. Otherwise you stop right away.

Even today, I frequently meet scientists who, outside their own narrow discipline, are superstitious.

Every European goes on the streets and sees medieval churches. Not if you live in Indianapolis.

Every European goes on the streets and sees medieval churches. Not if you live in Indianapolis. The most exciting letters I received were from people in places like that.

Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.

Followers of the occult believe in only what they already know, and in those things that confirm what they have already learned.

From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.

History is rich with adventurous men, long on charisma, with a highly developed instinct for their own interests, who have pursued personal power - bypassing parliaments and constitutions, distributing favours to their minions, and conflating their own desires with the interests of the community.

Homer's work hits again and again on the topos of the inexpressible. People will always do that.

How does a person feel when looking at the sky? He thinks that he doesn't have enough tongues to describe what he sees. Nevertheless, people have never stopping describing the sky, simply listing what they see.

I could work in the shower if I had plastic paper.

I developed a passion for the Middle Ages the same way some people develop a passion for coconuts.

I don't see the point of having 80 million people online if all they are doing in the end is talking to ghosts in the suburbs.

I have lost the freedom of not having an opinion.

I have to admit that I only read 'War and Peace' when I was 40. But I knew the basics before then.

I like nicotine because it excites my brain and helps me work.

I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.