It's all about exploring the more unpredictable aspects in the character, not just fighting people.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

There are a lot of other things in this world that can and will bring me joy. Acting is one of them.

We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.

People get on a show and they fought tooth and nail. Almost 95% of the actors out there want to be on a television series. Then as soon as they get onto one, no, no, I want to be a movie star. This television series stuff, no, no no.

You show your vulnerability through relationships, and those feelings are your soft spot. You need to have a soft spot.

In terms of being a role model, I didn't start out to be one. I don't go to work every day with that in mind. But, I do get a lot of fan mail from young girls.

I've been really fortunate to go from series to series to series.

I never was really into comics as a child, and I think if you miss the boat when you're a kid, you don't necessarily pick up on it when you're an adult.

I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.

We take the show very seriously, but we don't take ourselves seriously.

My first paying job, when I was 15, I was a day camp counselor.

Women can't be afraid to look like action heroes. It's not always pretty, but when it's on the screen, it translates well to the audience.

In the beginning, people think vulnerability will make you weak, but it does the opposite. It shows you're strong enough to care.

Acting isn't the be-all end-all. There are a lot of other things in my life that will bring me joy if I didn't act anymore.

There are a lot of great actresses out there. You learn to appreciate each one for what they offer.

I competed in track for 10 years and have been doing kickboxing forever.

When you're fighting with a stunt person, your intent is to miss.

I came to acting in a very circuitous way.

I read every script from beginning to end, and I read every draft that I can. I like the show, I like the character, and I want to protect both of those things.

It's part of the job to compensate for outfit.

The most important thing is to just be good at what you do. You do a good job playing the character, and people will be taken up with your character, not your clothes.

It doesn't help anybody to put out a bad script.

Linda Hamilton is my hero. She was so tough and so strong and so vulnerable at the same time. I think that's what woman action figures are allowed to be: vulnerable, in a way that women are.

I approach my character with the question: What would an animal think? How would an animal respond? A lot of times, it's quick action and no fear, and sometimes it's irrational fear. You don't always know.

Cast changes are a hard thing. For two years, we had this little family. We weren't together when these changes were decided upon. It all happened during our hiatus.

That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.

When I was in university, my dream was to be a coach, like a high school track coach. Not to teach.

I can't say that I've made the transition to movies.

I think I've paid my dues. I've really put in a lot of time on set.

I did a lot of stunts, so the harness work isn't foreign to me either.

I desperately want a dog, but I've been told I travel too much, and I'm not allowed to have a dog.

It's all about exploring the more unpredictable aspects in the character, not just fighting people.

I would be very happy doing movies. I love to work and I think I'm a little different.

I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.

Most women don't play like guys do: they don't wrestle, fight, get into brawls. They don't know how to express themselves in a physical, active way.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.