For us chess players the language of artist is something natural.

Only he, who penetrates into the depth of the game, can express his personality in it.

Every top player has his own style, just as every painter has his own personal signature.

I believe every chess player senses beauty, when he succeeds in creating situations, which contradict the expectations and the rules, and he succeeds in mastering this situation.

My way of playing is very different and Karpov plays very differently as well.

No - I'm quite calm inside during the game for most of the time - not 100%, but generally very calm.

In this respect I suppose I'm the total opposite of Garry. With his very emotive body language at the board he shows and displays all his emotions. I don't.

Now, two years have passed and the situation is completely different: no one wants to organise this match.

When I speak of the beauty of a game of chess, then naturally this is subjective. Beauty can be found in a very technical, mathematical game for example. That is the beauty of clarity.

Okay, when you start to fight for equality, like Anand did in 1995, you could end up losing game 10, like he did, without putting up any kind of fight.

For us chess players the language of artist is something natural.

You know, our ratings after this match will be very close - I think I can also become the world number one in the not too distant future. However, I'm sure that Garry will also have something to say about this!

At some point he seemed to lose all confidence trying to break down the Berlin Wall. He was still fighting as only Kasparov can, but I could see it in his eyes that he knew he wasn't going to win one of these games.

I feel that my relationship with Kasparov now is much the same as it had been before the match - good. As for his reaction, well it can't be nice to lose your title after so long, but he was very generous.

It made a big difference to my match stamina. I couldn't imagine I would have been so energetic during the match - it really gave me a welcomed extra boost!

The strength of the playing ability is much more important. Only if the strength of the opponent's playing ability is comparable, does the game develop.

I am convinced, the way one plays chess always reflects the player's personality. If something defines his character, then it will also define his way of playing.

Once he had selected the path he was going down he really had to stick with it in a 16 game match. He had to try and hit in the one direction but unfortunately for him - though fortunately for me! - he hit in the wrong direction.

I made a better decision in choosing my team. Sure, I had a bigger choice of players to choose from - but I couldn't have asked for a harder working group of players who did an incredible job.

The Berlin Defence suited my strategy for the match. I had a defensive strategy - Actually, I had in my pocket some other sharper stuff to fall back on - but first I wanted to try the defensive strategy with Black and it worked so well.

Chess is an infinitely complex game, which one can play in infinitely numerous and varied ways.

So basically it's very simple: to start with, if you want to win the match, you shouldn't be afraid of him. There are still many, many things to do, but above all this is the most important: Don't be scared of him!

I don't like to show my emotions at the board, not because they might give something away to an opponent, but because that's my style: I like to keep it to myself.

But with the Berlin, I was able to allow him to get near, but not quite near enough, and I knew where to draw the line with the fortresses I had set up.

Even if you play perfectly, a fault of your opponent's can destroy the entire beauty of the game.

For me art and chess are closely related, both are forms in which the self finds beauty and expression.

The development of beauty in chess never depends on you alone. No matter how much imagination and creativity you invest, you still do not create beauty. Your opponent must react at the same highest level.

An impatient person plays differently than a more patient person.

In chess one cannot control everything. Sometimes a game takes an unexpected turn, in which beauty begins to emerge. Both players are always instrumental in this.

With the Berlin I was able to set up a fortress that he could come near but not breach.

Chess is an infinitely complex game which one can play in infinitely numerous and varied ways.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.