Dylan can do no wrong.

I'll sleep when I'm dead.

I remember certain lines and whose they are.

And I think it's safe to say that the single very impressive figure to me was Merle Haggard.

Duncan Aldrich has been my partner in most recording projects, and touring projects, for the past decade.

But there's a thin line between songwriting and arranging.

I don't like piano solos.

I mean, I haven't been completely lacking in some enjoyment of Chuck Berry or Buddy Holly. But I just didn't pay attention to that period of music, obviously.

That's my only active wish. I think if I sang like Don Henley, this would be a lot more agreeable business.

I had a good guitar, and I was a young, young kid.

Glenn Gould was my hero. Glenn Gould was my idol. I loved him.

Dylan can do no wrong.

Well, I don't think it ever did, but in the early '60s I got interested in folk music.

The primary one being, like I said, I don't like rock 'n' roll piano.

My memory is not even what most people's is, much less what it oughta be for a discussion like this.

I don't learn so good, no matter how good the teacher is.

But I can't say that I didn't like John Hammond's performances often better than the originals.

Everywhere I go, I have my little Steinberger, and I like it very well.

My father was a boxer, though. So, I have a particular interest in Ray Mancini, I think.

So I guess I had, I think they tell me I had, about three years total of piano lessons, off and on.

You had to go to a different part of town from where I was to get Muddy Waters singles. I had him on singles.

Enjoy every sandwich.

It took me 10 years to realize that I don't know 'em, 10 years to realize that it's possible to learn them, then another 10 years to learn how to do things.

Mutineer is the first album of mine without a demo stage.

Dylan doesn't have to make Blonde On Blonde every time.

Well, first of all, let me say that I might have made a tactical error in not going to a physician for 20 years. It was one of those phobias that really didn't pay off.

My first album is like a terrible John Hammond album, with drums.

I wish I sang better.

I missed jazz, kind of. And by the time I came to it in life, it was too intimidating to enjoy thoroughly.

I have no guitar technique.

Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.

I'm not a big jazz fan.

Yeah, I don't like, um, I'm not interested in rock 'n' roll piano. I find it a little grating.

I played a lot of real normal, straight sessions.

Well, I was interested in playing the piano from as early as I can remember.

I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him.

Piano is like drudgery.

You should never feel comfortable. There is something wrong if you are. You should always feel under threat, on the edge of your seat and pushing yourself. Win one and you want to win more. It's never-ending.

Our military commanders have said over and over again that a timetable for withdrawal sends the wrong message to our troops, but more importantly to our enemy.

Singularity shows something wrong in the mind.

There is something wonderful in seeing a wrong-headed majority assailed by truth.

When women go wrong, men go right after them.

I've seen many actors go awry by making the wrong choices early on.

By the way, the secret of speaking French is confidence. Whether you are right or wrong, you don't hesitate.

So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.

There is a contest old as Eden, which still goes on - the conflict between right and wrong, between error and truth. In this conflict every human being has a part.

The Germans certainly - the intelligence service believed that there were WMD. It turns out that we were all wrong, probably in my judgment, and that is most disturbing.

Hope is generally a wrong guide, though it is very good company by the way.

My great religion is a belief in the blood, the flesh, as being wiser than the intellect. We can go wrong in our minds. But what our blood feels and believes and says, is always true. The intellect is only a bit and a bridle.