When I first started playing in a band, before the Beatles, working bands played standards and they saved their rock material til the end of the night when they were really stretched out. It could be pretty lame.

I hate that expression, 'fusion.' What it means to me is this movement where nothing ever really fused.

You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.

Drugs, sex, booze, all the stuff that we wanted to do. The problem was that we didn't want to learn the top 40 'cause most of the music was awful and we had this other idea about what we wanted to do.

When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.

We played together for so long and we got to the point where our styles blended together. Even today, sometimes I'll hear our records and I'm not really sure who played what. And we took a bunch of acid together too.

When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.

It wasn't a class system where I was the better guy and he was the second-rate guy. That was his role and my role was to play the solos. But he took great pride in his technique as a rhythm guitarist.

But when I was a teenager, the idea of spending the rest of my life in a factory was real depressing. So the idea that I could become a musician opened up some possibilities I didn't see otherwise.

Drugs, were a symptom - they weren't the cause of anything.

If you put this in the context of Detroit in '64 or '65, the economy was booming. Everybody had jobs and there was a whole nightclub culture where bands could work.

As time went on, we formed a number of different bands. We played in rival, neighborhood bands. We learned more songs and we learned how to play Chuck Berry music and we learned Ventures songs.

Aesthetically, we were enormously successful. Economically... there was no success. It was all about music of the future and unfortunately it was a band that didn't have any future.

I was a little ahead of him but that didn't matter after awhile.

When I first started playing in a band, before the Beatles, working bands played standards and they saved their rock material til the end of the night when they were really stretched out. It could be pretty lame.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

The difference between talking on your cell phone while driving and speaking with a passenger is huge. The person on the other end of the cell phone is chattering away, oblivious.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

Every new beginning comes from some other beginning's end.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

Pacifist propaganda and the resolutions of the parliamentarians encouraged such treaties, and toward the end of the nineteenth century their number had increased considerably.

Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.

I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.

Philosophy begins in wonder. And, at the end, when philosophic thought has done its best, the wonder remains.

Towards the end of the Lord Chamberlain's era, when his hold was being loosened, private prosecutions began to happen. A member of staff at the Royal Court ordered to stop the play, and the police were brought in.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

All wars come to an end, at least temporarily. But the authority acquired by the state hangs on; political power never abdicates.

The 20th century taught us how far unbridled evil can and will go when the world fails to confront it. It is time that we heed the lessons of the 20th century and stand up to these murderers. It is time that we end genocide in the 21st century.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

If in any divination the Tenth Card should be a Court Card, it shews that the subject of the divination falls ultimately into the hands of a person represented by that card, and its end depends mainly on him.

A hundredth of a second here, a hundredth of a second there - even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity.

The situation in Iraq will be long, it will be expensive and it will be difficult. But in the end, Iraq will very much be worth it.

I'm very excited to see where the characters and their relationships go. But in the end, it really boils down to the people who have more power than me, who control the money.

I was born in 1961. Now I think the 16 years that elapsed between 1961 and the end of the wars is nothing. To a child growing up it felt like an eternity, an entirely different world.

No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.

A story has been thought through to the end when it has taken the worst possible turn.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

We may seem competent, but by the end of next century there will be new deserts, new ruins.

We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.

When I was 13 I asked my mother if it was possible for this to end - I'd had enough of it. And that was right about the time that we got a call for "The Exorcist" interview.