It would have been nice for Greg to eventually grow into a mature relationship with Laura. He was moving toward that already but then took a turn into the juvenile with Paige.

What I would have liked to do on that show was play a secretary of state who has huge personal business interests throughout the world. That, to me, seems to be more in synch with reality.

There's a certain possessiveness of writers sometimes.

It would have been nice for Greg to eventually grow into a mature relationship with Laura. He was moving toward that already but then took a turn into the juvenile with Paige.

And I have to credit David Jacobs with the opportunities he gave me. He was totally into sharing the creation of characters. David put together a show that told the story of people over many years' time and that was greatly enjoyable. Though nowadays that is frowned upon.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

It worked well because Don Murray didn't want to be on Knots anymore.

Ultimately the Emmys are a popularity contest.

Writers are not always right however, but then again, I've been on shows where the actors have complete control and change everything and it's terrible.

When you go to a movie, it's about what's not being said. I tried to bring that to Greg Sumner. It was always about what's not being said.

I didn't care about that because I'm not a diplomatic person to begin with. I just went along with things and did what I wanted to do because I knew they had to shoot their 12 pages a day. And when they realized that I didn't alter the text they really didn't mind what I did.

David was the kind of guy who was totally supportive of the actors and instructed the writing staff to trust the actor's instincts, since after all, it's the actors playing the character.

The West Wing seems to be feeding the myth about how presidential politics are.

I knew with The West Wing that that wasn't going to be for very long, that I was just the red herring.

I try to watch only real things, which basically amounts to C-Span for me. I like real people in real situations. I learn from that.

If you watch Cheers, in 12 years they didn't age a day.

And all of Laura's stuff, what they wrote originally wasn't as good and Constance wound up doing that herself. That was all her stuff, reading to the child, because she had children herself and that's what she would have done.

Even though shows like NYPD Blue are soaps in my opinion, but they're individualized to an extent that you can still follow what's going on if you miss a week.

Donna Mills came on the show as a female antagonist, about a year before, so now they wanted to have a male antagonist. I was cast as a Senator to shake things up.

I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it, getting the story and structuring it. Not the tweaking of lines.

At one time, whenever the hell it was, they wanted a character to come in and stir up the pot. They brought me in for 8-10 episodes and said we'll try it for that.

The business is built on slowing or even stopping the aging process.

I'm trying to find a character that's my age and I can sustain week after week. I'd like to do a series.

Networks don't want a show with a continuing story. There's no backend potential.

Clint Eastwood is aging beautifully. But someone like Burt Reynolds and others are practically destroying their faces in the amount of work they have.

The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the writers.

I don't play polo anymore because I am too old. But we still have a half a dozen horses - a couple of young horses we are teaching how to play polo and older horses that are real trustworthy when you get them up in the mountains.

You don't need Montreal steak seasoning on everything.

If you are lucky enough to find something that you love, and you have a shot at being good at it, don't stop, don't put it down.

Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot.

The key is to work with people who are passionate about storytelling and who have a similar sensibility of the type and nature of the stories that you want to tell.

I don't believe in making fashion difficult.

Soaring prices for crude oil, falling production surpluses, wild speculation in commodities, a rush into the precious metals, turmoil in the Middle East, assertive oil producers: it is 1973-74 all over again, and at dictation speed.

I think I'm a pretty moral guy, a very moral guy, but I'm not perfect.

The popular notion is that Americans are addicted to fossil fuels, but I find that's not true; most people would be happy to power their lives with anything else.

I write as a matter of need - seven books and God knows how many short stories before anyone published me.

These days, it seems that if you're not already in place, you can't get there from here.

It helps to know how to lose. You know it is not the end of the world, and you pick yourself up and move ahead.

I absolutely adore Christmas.

Whether you call my heart affectionate, or you call it womanish: I confess, that to my misfortune, it is soft.

Nature gives to every time and season some beauties of its own.

I always joke that my kids' favorite holiday is Father's Day. They love the way I celebrate the occasion by writing each of them a thank-you letter and a generous check. It's my way of letting them know how much I appreciate the great pleasure and privilege of being their dad.

So we must stand together to resist, for we will get what we can take - just that and no more.

Why should we try for space travel? It cannot be a substance of any kind that can be expected to pay. It can only be something intangible, not involving haulage, which is at the same time more valuable. There is something like that: Knowledge.

It's enormously cheering to get a good review by someone who seems to understand your work.

Credit is something that should be given to others. If you are in a position to give credit to yourself then you do not need it.

The only business of the head in the world is to bow a ceaseless obeisance to the heart.

Even the best writer has to erase.

Trust not too much to appearances.