Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Guernica, Pablo Picasso, 1937, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Migrant Mother, Dorothea Lange, 1935, Depression Era Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

The Yale group was doing the Harold. So by our senior year we were trying to do the Harold. Again, we had no idea what we were doing. We had one guy in the group who was pretty experimental; he would kind of push us to do weird things. It was really fun, a great experience.

Yet I wanted to have children, and I knew that was my purpose, but I wasn't going to settle.

I am a huge fan of using social media to connect with people because I think there was this 'ivory tower' aspect of journalism where people might read a byline for years but have no idea about the person who was behind it and never get to communicate with them or ask them a question.

Nonviolence succeeds only when we have a real living faith in God.

We just seem to have lost all our morals and principles and values these days.

You are bigger than your problem, stronger than your obstacles and higher than your ego.You can make a difference you are invincible.

Documentary film without nuanced journalistic sourcing risks being sensational, tendentious or broad-brushed.

I didn't do it for the money. I know a lot of people say that, but if I'd wanted to be rich, I'd have stayed working as a city lawyer. I gave that up eight years ago and took a massive drop in salary, and I didn't mind because I was doing what I loved. There's plenty of material for the other five books.

I know what it feels like to be an outsider.

Truth will always be truth, regardless of lack of understanding, disbelief or ignorance.

Yes, I'm your governor now. I'll take care of you.

The Venus transit is not a spectacle the way a total solar eclipse is a spectacle.

Dogs and philosophers do the greatest good and get the fewest rewards.

I pretty much only wear high heels.

I have a lot of repression. So repression is what I make movies about.

You need to feel comfortable. When you're comfortable, you feel confident. And when you're confident, the world is your oyster. Most important, you gotta feel what you wear.