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Khalil Bertini

ft
British music producer
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Quotes
23

Bounce MIDI to AUDIO. - its good practice committing to ideas - it enables you to see your ideas in a new light - Better stability in your DAW
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COLOR CODE! - It keeps project organised - Its nice on the eyes/mind
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SIDECHAIN COMPRESS before playing in parts. Bass and instruments.
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OFFSET claps. - This stops claps getting lost in the mix
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PRACTICE WORKING FAST. Learn your DAW shortcuts
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give your song a NARRATIVE/Set the tone. -using samples, like vocal samples
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Theres no relation between TIME spent and QUALITY of music. -The same applies to how many tracks there is in a song
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FOCUS on IMPORTANT rhythmic/melodic ideas early on. Dont waste time layering sounds
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Fix from SOURCE whenever possible. KEEP processing clean & calculated REMOVE silences for a cleaner mix
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THINK: in terms of ENERGY, RHYTHM, VIBE, EMOTION. NOT: punchy, clean, analog, mono
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Only EQ/COMPRESS when needed.
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when you see a SPECTRUM ANALYSER, think in terms of OCTAVES
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BOUNCE REVERB to AUDIO. then you can filter/ precisely control it
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SYNCOPATION IS KEY TO DANCE MUSIC. Syncopate a vox sample and synth or kick
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USE WHITE NOISE to fill empty space subtly
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MONO is LOUDER, so use it when you can.
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ALWAYS START your track with an interesting IDEA
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AUTOMATION - Name your automation channels. E.G filter sweeps
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Create TEMPLATES in your daw. Work from these rather than blank projects. Speeds up the creative process when laying down new ideas.
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DRUMS SIDECHAIN EVERYTHING to KICK DRUM Test KICK and SNARE on multiple sources make the KICK the loudest peak in the song (makes mastering alot easier)
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BASS SUB BASS should sit 1-2 octaves below root note. No reverb on bass Length of kick decides room for bass
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LEADS group layers turn off individual track fx use 1 compressor/ reverb on whole group delay>reverb>saturation
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VOCAL SAMPLES make more SYNTHS/FX from VOX SAMPLES. - humans love human voice.
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