On utilise AT quand il n’y a pas de mouvement. Exemple : She is at home On utilise TO quand il y a un mouvement,déplacement d’un point vers un autre Exemple: She is going to home

What’s up remplace?

Catch your latéral remplacé ?

To be bomb

Dude

No sorties = ?

Laid back =?

To put someone in their place = ?

people : toujours suivi d’un verbe au pluriel Peoples : il peut être suivi d’un pluriel ou d’un singulier

On utilise IN quand on localise quelqu’un ou quelque chose Exemple: She’s in the street. On utilise INTO pour indiquer que l’on pénètre dans un lieu Exemple: Someone went into my home

This : pluriel these (ex: in these states) That : pluriel those (ex: in those places)

On utilise FROM quand on se réfère à la provenance,à l’origine. Exemple: I’m from Toronto. On utilise TO quand on se réfère à la direction,à la destination. Exemple: I saw him on the train to Montreal

1) As = ? 2) As if/as thought= ?

1) because of/ due to/owing to= ? 2)besides = ? 3) contrary to = ?

Nevertheless/ yet/ still/ however = ?

In order to/ so as to = ?

Moreover/ furthermore/ What’s more=?

Neither ... nor=?

Whatever = ? Once/as soon as = ?

Therefore= ? Unless= ? Whereas/while=?

To account for = ? To apply to = ? To match= ? To fill in the blanks=?

To hint at = ? To occur = ? To quote= ?

Brackets = ? A clue = ? A compound adjective = ? A stylistic device = ?

An excerpt from = ? A grid= ? A statement = ? A sequel = ?

Passer un examen = ?

Relative=?

Unbelievable = ?

Fullfilled = ?

Boundary = ?

The problem of telling contemporary history is that your message gets outdated.

I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.

A hundred times have I thought New York is a catastrophe, and fifty times : It is a beautiful catastrophe.

When gravitational waves reach the earth, the waves stretch and squeeze space. This is a tiny stretch and squeeze. Far too small to detect with ordinary human senses.

I've been a character actress right from the beginning. I was no more like 'Cinderella' in my real life than I was like the neurotic poet in 'Cop.'

I get no pleasure from politics; it's not in my character.

I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.

By the time Africa is developed, it will be the wonderland of the world, 'cause it will be able to make use of all the mistakes of other nations. But it nah go just drop out of the sky. So we have to put in work.

Coincidence is God's way of remaining anonymous.

I expect that my readers have been to Europe, I expect them to have some feeling for a foreign language, I expect them to have read books - there are a lot of people like that! That's my audience.

My first responsibility is to keep America safe.

There's no question 'Amazing Race' is a beautifully produced show.

Entrepreneurs have a great ability to create change, be flexible, build companies and cultivate the kind of work environment in which they want to work.

Highly placed New York kingmakers work toward 'convergence' between the Republican and Democratic parties so as to preserve their 'America Last' foreign policy and eliminate foreign policy from political campaigns.

It is not possible for a man to be elegant without a touch of femininity.

The older you get the farther from the camera you need to be.

Historically, more media has been consumed sitting in front of the television than any other device. Controlling this screen has been the goal of major technology, consumer electronic, and telecommunications companies.

When I was in sixth grade, I wanted to become a priest.

You never make fun of anybody with a club foot or a withered arm, but it's open season on anybody who stutters.

If you want to be promoted into the first league of carmakers, then you can't just follow suit.