I think America right now is looking for somebody who appeals to every faction.

If we're talking about masculinity and tenderness, I don't look at Clinton.

I'd like to do more family dramas.

Through all the relationship stuff I've gone through in the past few years, I know there are fundamental differences in how men and women view sex and how they view their futures.

But I guess I like playing flawed guys 'cause it gives a place for the characters to go.

You never really know as an actor; it's completely out of your control, in terms of editing, and music, and film stock, shot selection, and what takes they use.

I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.

If it helps me in the way that if this movie is successful, I get to make more films, great, and the more films that I make and the more interest that I'm allowed to cover, the better for me and the better, hopefully, for the people who like to watch me.

Some movies get rushed out right after you make them and I'm not always happy with that.

I don't do comedy so much although I would like to do a comedy.

I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

The F.B.I. is about nuts and bolts. It's all about witnesses and procedure and walking the streets.

I think that maybe that's my weakness, in that I don't know how to do it, so I just do what I do and try to do it as passionately and as well as I can.

I've been working for many years and I think I've managed to work with some of the best people in the business, which has been rewarding and an apprenticeship.

I always ask, why can't I be just like Cary Grant or something.

Yeah, but there's nobody who represents romance to me like Cary Grant.

But then, even with sex, I'm more in the school of less is more in movies.

When it gets down to it you just have to act.

A film has its own life and takes its own time.

Right now, I have to admit, that I'm more interested in giving people a little bit of hope and goodness.

I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.

It seems to me if you want something badly enough, whether you're a man or a woman, you'll do whatever you have to do to get it.

Yeah, I'd like to get the girl and at least make it through the film.

But I will say this: In my humble opinion, knowing nothing about it, I do believe that they have remote viewers working on where Osama Bin Laden is. I absolutely, 100%, convinced of that.

I'm an actor and it happened to go my way that day.

I got as much information as I could, so I wouldn't look stupid, but this is a post 9/11 world and there's only so much you can do with the FBI in terms of research.

I mean, the problem is, I think I'm a great writer.

I think every actor wants to be an FBI or cop at one point.

Some movies I see today have the most dramatic plot points but the actors are not playing them dramatically.

Directors, producers can make you look good or make you look bad.

I think women can be as cruel as men, and men as tender as women, and vice versa.

I'd like to do a romantic comedy.

It makes me feel good that I can now sit there and go, I've worked with Jack Nicholson, Al Pacino, all the great actors that I've worked with... Sir Ben Kingsley.

I'm sort of fascinated by the whole espionage crime thing.

There are different reasons to make movies.

Well, I've thought many times when my career was in the toilet, that I was going to have to seriously consider getting another job, I don't know what I'd do.

I would like to direct.

I think America right now is looking for somebody who appeals to every faction.

I think they are very important because westerns have a code and a symbolism.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.