Dramatic experience is not logical; it may be subdued to the kind of coherence that we indicate when we speak, in criticism, of form.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

But in our age the appeal to authority is weak, and I am of my age.

So the poet, who wants to be something that he cannot be, and is a failure in plain life, makes up fictitious versions of his predicament that are interesting even to other persons because nobody is a perfect automobile salesman.

The Spring I seek is in a new face only.

Religion is the sole technique for the validating of values.

Genetic theories, I gather, have been cherished academically with detachment.

At twelve I was determined to shoot only For honor; at twenty not to shoot at all; I know at thirty-three that one must shoot As often as one gets the rare chance - In killing there is more than commentary.

Narcissism and the Confederate dead cannot be connected logically, or even historically; even were the connection an historical fact, they would not stand connected as art, for no one experiences raw history.

Other psychological theories say a good deal about compensation.

The mission for the day is to encourage students to think beyond traditional career opportunities, prepare for future careers and entrance into the workplace.

I believe the term modulation denotes in music the uninterrupted shift from one key to another: I do not know the term for change of rhythm without change of measure.

Men expect too much, do too little.

What is the poem, after it is written? That is the question. Not where it came from or why.

How does one happen to write a poem: where does it come from? That is the question asked by the psychologists or the geneticists of poetry.

Dramatic experience is not logical; it may be subdued to the kind of coherence that we indicate when we speak, in criticism, of form.

We know the particular poem, not what it says that we can restate.

For some reason most critics have a hard time fixing their minds directly under their noses, and before they see the object that is there they use a telescope upon the horizon to see where it came from.

In a manner of speaking, the poem is its own knower, neither poet nor reader knowing anything that the poem says apart from the words of the poem.

Poets, in their way, are practical men; they are interested in results.

Experience means conflict, our natures being what they are, and conflict means drama.

A poem may be an instance of morality, of social conditions, of psychological history; it may instance all its qualities, but never one of them alone, nor any two or three; never less than all.

The only real evidence that any critic may bring before his gaze is the finished poem.

Serious poetry deals with the fundamental conflicts that cannot be logically resolved: we can state the conflicts rationally, but reason does not relieve us of them.

According to its doctors, my one intransigent desire is to have been a Confederate general, and because I could not or would not become anything else, I set up for poet and beg an to invent fictions about the personal ambitions that my society has no use for.

I am not ridiculing verbal mechanisms, dreams, or repressions as origins of poetry; all three of them and more besides may have a great deal to do with it.

The innocent mansion of a panther's heart!

The dusk runs down the lane driven like hail Far off a precise whistle is escheat To the dark and then the towering weak and pale.

There is a calm for you where men and women Unroll the chill precision of moving feet.

The dreary flies lazy and casual Stick to the ceiling buzz along the wall. O heart the spider shuffles from the mould Weaving between the pinks and grapes his pall.

Criticism of government finds sanctuary in several portions of the 1st Amendment. It is part of the right of free speech. It embraces freedom of the press.

To what derision should I be exposed from a thousand quarters!- An unlearned female entering the lists of criticism against the mighty Johnson!

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Though bitter, good medicine cures illness. Though it may hurt, loyal criticism will have beneficial effects.

No American soldier should be allowed to set foot on Iranian soil, regardless of the criticism we have of the Iranian government.

The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.

Their is no defense against criticism except obscurity.

The dread of criticism is the death of genius.

This issue, if not addressed, leaves any President, including George Bush, open to the criticism that they are essentially ignoring the destruction of the nation and I believe that with all my heart.

A woman's flattery may inflate a man's head a little; but her criticism goes straight to his heart, and contracts it so that it can never again hold quite as much love for her.

I love criticism just so long as it's unqualified praise.

The strength of criticism lies in the weakness of the thing criticized.

Honest criticism is hard to take, particularly from a relative, a friend, an acquaintance or a stranger.

Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.

To avoid criticism, do nothing, say nothing, and be nothing.

Few people have the wisdom to prefer the criticism that would do them good, to the praise that deceives them.

Dodi got a lot of criticism when he began dating Princess Diana. No one seemed to think he was good enough for her.

Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.

Poetry; a criticism of life under the conditions fixed for such a criticism by the laws of poetic truth and poetic beauty.