Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.

One of the processes of your life is to constantly break down that inferiority, to constantly reaffirm that I Am Somebody.

I'm attracted to long-legged girls with long arms and a little head.

Money is a never-ending problem.

In this business, life is one long fund-raising effort.

Nothing personal; I just don't have people over.

My lasting impression of Truman Capote is that he was a terribly gentle, terribly sensitive, and terribly sad man.

Sometimes you feel bad about yourself when there's no reason to.

We still spend more time chasing funds than we do in the studio in creative work.

I always want more.

I always want to have more dancers in my company.

It will take very sophisticated marketing to achieve our aim of bringing more black people into the theater.

Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.

The creative process is not controlled by a switch you can simply turn on or off; it's with you all the time.

Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.

Lena Horne is the sweetest and most adorable woman in the world.

I am trying to show the world that we are all human beings and that color is not important. What is important is the quality of our work.

One of the worst things about racism is what it does to young people.

If you live in the elite world of dance, you find yourself in a world rife with racism. Let's face it.

Racism tears down your insides so that no matter what you achieve, you're not quite up to snuff.

No matter what you write or choreograph, you feel it's not enough.

My feelings about myself have been terrible.

The Lord doesn't like us to be dead. Be alive. Sometimes I dance to the glory of the Lord, because He said so.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I cannot sing, dance or act; what else would I be but a talk show host.

No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.

When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

I would love to do more music, definitely. That is my true passion. Dance is first and then music.

They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

It's always been my dream to do a dance scene with Anthony Hopkins.

Sex in a dance is in the eyes of the beholder. I never thought my dances sexy. I suppose that's because I see myself with my face washed, and to me I look like a rabbit.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

We were at our best when we were playing in the dance halls of Liverpool and Hamburg. The world never saw that.

We want to be the band to dance to when the bomb drops.

Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.

People come to see beauty, and I dance to give it to them.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

I wasn't out drinking and abusing my body. I simply loved to go out and dance.

And dance is wonderful because dance is so immediate.

Disco is just pop music you can dance to.

For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

I'm a song and dance girl. I can act enough to get by. But that's the limit of my talents.

I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance.

Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.