People come to see beauty, and I dance to give it to them.

People come to see beauty, and I dance to give it to them.

We can go on talking about racism and who treated whom badly, but what are you going to do about it? Are you going to wallow in that or are you going to create your own agenda?

Dancing is bigger than the physical body. Think bigger than that. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that. You're dancing spirit.

Dance is bigger than the physical body. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that; you're dancing spirit.

As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.

Concert dance is the hardest kind of dance. We tour constantly, around the world, year in and year out. It just doesn't work for everybody. It's the lifestyle, it's the stamina, it's the love, it's the dedication, it's the commitment, it's all those words.

Dance is not endangered - it will always find a way to express itself.

I believe God has a path for me. He's always had a path for me, and I've always been in the right place at the right time - not because of my efforts, but because of my preparation and because of the guides that I have, the mentors that I have, the spiritual walkers that I've had all my life.

I believe in being prepared. I'm going to say that. Pray, prepare, proceed.

I could say now at 66, yeah, I was a fabulous dancer. I was really terrific, you know. But I was always present. I was present. I was supposed to be where I was supposed to be at the time I was supposed to be.

I don't think of myself as a leader. I am, but I don't think of myself that way. I'm not trying to belittle what I do, but I think of myself as a dancer first. I'll always be a dancer.

I haven't had a family, but I don't think of that as a sacrifice: my dancers are my family.

I want to know who you are as a person, and then I want you to develop as a whole human being.

I was a protege; by the age of 10, I was studying with ballet choreographer Anthony Tudor in a class of adults.

I went to an audition for a Harry Belafonte Roaring Twenties special for choreographer Donald McKayle, but I failed.

I've been in a competitive situation almost all my life. I've been having a competition with myself and trying to be the best I could be.

I've danced all over the world, and people are people. We cannot cut off from each other in life. In order to lead, you can't do that.

If people all over the world, year after year, request that you do 'Revelations,' you do 'Revelations.'

One thing I cannot stand is when people say, 'Hi, how are you?' and they don't wait to hear how I am. They're just going through the motions. I say to people: 'Keep it human. Keep it alive. Don't turn into a robot.' You have to hear what the other person is saying clearly.

People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.

Strive for perfection. Nobody's going to be perfect on this earth. But strive for perfection.

The way Alvin Ailey has transformed modern dance and dance in general is the fact of variety. It's a cornucopia of ways to move. There are choreographers in the company as - as diverse, as different from each other as Donald McKayle and Bill T. Jones, or Jawole Zollar and John Butler, Lar Lubovitch, you know, and Judith Jamison.

The word 'suffering' is not in my vocabulary.

The world is full of ways for people to dance. Concert dance doesn't get its due.

We're dancing from here, from inside, not from outside. You could look at anybody throwing their leg and kick their leg up and a million pirouettes and do all kinds of tricks and stuff like that. But that's not what dance is really about.

You have to dance unencumbered. There's no other way to move. The idea of dance is freedom. It is not exclusiveness, it's inclusiveness.

You wake up white, and you think about certain things every day. You wake up black, and you think about certain things. You wake up Chinese, and you think certain things - but those things aren't major. What's major is that you are good at your craft.

You dont enter a dance studio and say I cant do that. If you do then why are you in the studio in the first place

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

Because beauty isn't enough, there must be something more.

Oh! this opponent, this collaborator against your will, whose notion of beauty always differs from yours and whose means are often too limited for active assistance to your intentions!

The kind of beauty I want most is the hard-to-get kind that comes from within - strength, courage, dignity.

Beauty set up distance between other people and me. It warped their behavior.

Do not confuse beauty with beautiful. Beautiful is a human judgment. Beauty is All. The difference is everything.

The double hundred Fowler hit in the Madras Test was an absolute beauty.

Only on paper has humanity yet achieved glory, beauty, truth, knowledge, virtue, and abiding love.

I had a lot of resentment for a while toward Kim Novak. But I don't mind her anymore. She's okay. We've become friends. I even asked her before this trip for some beauty tips.

You don't know what the Chinese expect in the way of beauty. The presentation is just a farce. You come into a room filled with 50 people and they don't talk to you. There's very little interaction.

Then Christ shall be clothed with all the beauty of the elect as if with a long tunic variously adorned, in which He shall shine as if covered with all manner of precious stones.

There is no spot of ground, however arid, bare or ugly, that cannot be tamed into such a state as may give an impression of beauty and delight.

Endurance is nobler than strength, and patience than beauty.

To give pain is the tyranny; to make happy, the true empire of beauty.

There's one more thing I want to say. It's a touchy subject. Black beauty. Black sensuality. We live in a culture where the beauty of black people isn't always as celebrated as other types. I'd like to help change that if I can!

In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.

The idea that happiness could have a share in beauty would be too much of a good thing.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

The beauty of a woman is not in a facial mode but the true beauty in a woman is reflected in her soul. It is the caring that she lovingly gives the passion that she shows. The beauty of a woman grows with the passing years.

For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.