The thing is, emotion - if it's visibly felt by the writer - will go through all the processes it takes to publish a story and still hit the reader right in the gut. But you have to really mean it.

A good story is a good story no matter who wrote it.

That's such a thrill - a story I wrote at the beginning of my career, and it's still packin' the house.

I have always used emotion as a writing tool. That goes back to me being on the stage.

I did not have a chance to write novels until my youngest child started school fulltime.

I would recommend the short story form, which is a lot harder to write since you have to be so careful with words, until there is plenty of time to doodle through a novel.

I think the Internet, particularly the availability of information, is great. I do a lot of correspondence on-line and have a chat line to talk to my fans as well.

I think writers need windows on a view to remind them that a whole world is out there, not the minutiae with which they might be dealing on a close scale.

Make no judgements where you have no compassion.

I wouldn't encourage new writers to start off publishing through electronic media... it still isn't wide enough for the readership they would need to get a good start.

Because we build the worlds we wouldn't mind living in. They contain scary things, problems, but also a sense of rightness that makes them alive and makes us want to live there.

Mostly I'm telling people that they don't have to be victims.

I'm 78, I'm on my pension in Ireland, and all that good stuff.

At age 77, I need the help of someone with more energy than I can now summon to finish a book.

But Ship Who Sang remains my favorite story. I really rocked folks with that and still cannot read it aloud myself without weeping at the end.

People have freaked out when I tell them that my dragons are scientifically based... what else can you call a genetically engineered life form?

I also don't have organized religion on Pern. I figured - since there were four holy wars going on at the time of writing - that religion was one problem Pern didn't need.

That's what writing is all about, after all, making others see what you have put down on the page and believing that it does, or could, exist and you want to go there.

Writing has been so much a part of my life that I'm really quite annoyed that I can't do as much as I used to.

But I will say that living in Ireland has changed the cadence and fullness of speech, since the Irish love words and use as many of them in a sentence as possible.

I have written my own screen version of Pern, but had no buyers yet.

I have a shelf of comfort books, which I read when the world closes in on me or something untoward happens.

What I used to do between writing fits was feed my kids, ride my horse and go shopping for cat and dog food.

I have my good days and my bad days, but I don't have as much energy as I used to back when I was young and foolish and didn't count the cost - and it takes a lot - to write.

The thing is, emotion - if it's visibly felt by the writer - will go through all the processes it takes to publish a story and still hit the reader right in the gut. But you have to really mean it.

I don't often reread my own books, unless I am going into another in the series and need to refresh my mood when originating the concept.

I do outlines when I'm writing with someone, but they also need to have a certain amount of freedom.

I didn't raise Todd to be a writer, but he happened to be one anyway.

I'm very fond of the Talent series, and also the Crystal Singer trio.

The experience of life consists of the experience which the spirit has of itself in matter and as matter, in mind and as mind, in emotion, as emotion, etc.

I think it would have been a lot better for him to say, I did it and I'm sorry, McGwire was never one to show a lot of emotion on the field, not a player who sought attention and craved to be thought of as a nice guy.

In fact, words are well adapted for description and the arousing of emotion, but for many kinds of precise thought other symbols are much better.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

A person cannot love a plant after he has pruned it, then he has either done a poor job or is devoid of emotion.

I think we actually punish children out of their relationship with their bodies... we categorically separate mind and body and emotion and intellect.

And if thought and emotion can persist in this way so long after the brain that sent them forth has crumpled into dust, how vitally important it must be to control their very birth in the heart, and guard them with the keenest possible restraint.

My job is usually to express emotion as freely as possible.

People think love is an emotion. Love is good sense.

I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.

I often start writing in order to excite an expansive emotion.

I tried to have more than one emotion on the record.

I have lived too completely, I think. I have known every human emotion.

I'm an actor who believes we all have triggers to any stage of emotion. It's not always easy to find but it's still there.

Patriotism is not short, frenzied outbursts of emotion, but the tranquil and steady dedication of a lifetime.

It is impossible for emotion not to come on us in thinking of that time now flowed away.

I will try to account for the degree of my aesthetic emotion. That, I conceive, is the function of the critic.

I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.

Learn to reverence night and to put away the vulgar fear of it, for, with the banishment of night from the experience of man, there vanishes as well a religious emotion, a poetic mood, which gives depth to the adventure of humanity.

As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.