Doubts are like stains on a shirt. I like shirts with stains, because when I'm given a shirt that's too clean, one that's completely white, I immediately start having doubts.

But democracy isn't a state of perfection. It has to be improved, and that means constant vigilance.

I don't know whether these people are going to find themselves, but as they live their lives they have no choice but to face up to the image others have of them. They're forced to look at themselves in a mirror, and they often manage to glimpse something of themselves.

The most important basis of any novel is wanting to be someone else, and this means creating a character.

No, I'm happy to go on living the life I've chosen. I'm a university teacher and I like my job.

We all want to be someone else but without ceasing to be ourselves. I think it's very important to defend this idea in real life too.

In a novel, my feelings and sense of outrage can find a broader means of expression which would be more symbolic and applicable to many European countries.

I was born in the Second World War during the Nazi invasion of my country.

My job is to look at what politics is doing, not be a politician myself.

People with lots of doubts sometimes find life more oppressive and exhausting than others, but they're more energetic - they aren't robots.

I've always been drawn to tormented people full of contradictions.

I don't have any doubts either about the Universal Declaration of Human Rights. Perhaps some more should be added to the list, but I don't have the slightest doubt about human rights.

I vividly remember the stories my grandfather told me about the carnage of the First World War, which people tend to forget was one of the worst massacres in human history.

I don't go for people who lead full and satisfying lives.

But I don't think I have any particular talent for prediction, because when you have three or four elements in hand, you don't have to be a genius to reach certain conclusions.

Literature for me isn't a workaday job, but something which involves desires, dreams and fantasy.

I live quietly at home among my family and friends.

I prefer insomnia to anaesthesia.

When you have a foreign invasion - in this case by the Indonesian army - writers, intellectuals, newspapers and magazines are the first targets of repression.

Literature is my life of course, but from an ontological point of view. From an existential point of view, I like being a teacher.

I don't want to promote my own image either. I don't like going on television or mixing in literary circles.

The salt of any interesting civilization is mixture.

It's the job of intellectuals and writers to cast doubt on perfection.

As a writer, I've always been interested in others.

Doubts are like stains on a shirt. I like shirts with stains, because when I'm given a shirt that's too clean, one that's completely white, I immediately start having doubts.

It's very useful when politicians have doubts because there are so many choices to be made in the world.

My books are about losers, about people who've lost their way and are engaged in a search.

Eco sees the intellectual as an organizer of culture, someone who can run a magazine or a museum. An administrator, in fact. I think this is a melancholy situation for an intellectual.

Xenophobia manifests itself especially against civilizations and cultures that are weak because they lack economic resources, means of subsistence or land. So nomadic people are the first targets of this kind of aggression.

Perfection spawns doctrines, dictators and totalitarian ideas.

An intellectual is going to have doubts, for example, about a fundamentalist religious doctrine that admits no doubt, about an imposed political system that allows no doubt, about a perfect aesthetic that has no room for doubt.

I claim the right to take a stand once in a while.

Fifty years after half a million gypsies were exterminated in the Second World War - thousands of them in Auschwitz - we're again preparing the mass killing of this minority.

There are some fundamental values it's impossible to be wrong about.

Like a blazing comet, I've traversed infinite nights, interstellar spaces of the imagination, voluptuousness and fear.

Like a blazing comet Ive traversed infinite nights interstellar spaces of the imagination voluptuousness and fear.

If you're a 'character actor,' you get hired to play baddies a lot.

I like to just make things... If I have the TV on, I'm not just going to sit there. I want to do something with my hands; I've always got a project. Or I get a small group of people over, and I say, 'Let's make these things today.'

With an open mind, you are the imagination of universal consciousness and the creation of the subconscious mind that wanders throughout the universe.

Nothing thicker than a knife's blade separates happiness from melancholy.

London is like the tropical bush -- if you don't exercise constant care the jungle, in the shape of the slums, will break in.

To think, when one is no longer young, when one is not yet old, that one is no longer young, that one is not yet old, that is perhaps something.

I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.

I understand that not everyone agrees with my perspective on Ray Kelly. But what you gotta look at here is somebody like Bill de Blasio talking out of both sides of his mouth and trying to have it both ways on a really critical issue like stop-and-frisk.

You either entertain an audience or you don't.

My books are always about somebody who is taken from aloneness and isolation - often elevated loneliness - to community. It may be a denigrated community that is filthy and poor, but they are not alone; they are with people.

The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.

The only time you are actually growing is when you are uncomfortable.

One must not cheat anybody not even the world of ones triumph.