We all want to be someone else but without ceasing to be ourselves. I think it's very important to defend this idea in real life too.

But democracy isn't a state of perfection. It has to be improved, and that means constant vigilance.

I don't know whether these people are going to find themselves, but as they live their lives they have no choice but to face up to the image others have of them. They're forced to look at themselves in a mirror, and they often manage to glimpse something of themselves.

The most important basis of any novel is wanting to be someone else, and this means creating a character.

No, I'm happy to go on living the life I've chosen. I'm a university teacher and I like my job.

We all want to be someone else but without ceasing to be ourselves. I think it's very important to defend this idea in real life too.

In a novel, my feelings and sense of outrage can find a broader means of expression which would be more symbolic and applicable to many European countries.

I was born in the Second World War during the Nazi invasion of my country.

My job is to look at what politics is doing, not be a politician myself.

People with lots of doubts sometimes find life more oppressive and exhausting than others, but they're more energetic - they aren't robots.

I've always been drawn to tormented people full of contradictions.

I don't have any doubts either about the Universal Declaration of Human Rights. Perhaps some more should be added to the list, but I don't have the slightest doubt about human rights.

I vividly remember the stories my grandfather told me about the carnage of the First World War, which people tend to forget was one of the worst massacres in human history.

I don't go for people who lead full and satisfying lives.

But I don't think I have any particular talent for prediction, because when you have three or four elements in hand, you don't have to be a genius to reach certain conclusions.

Literature for me isn't a workaday job, but something which involves desires, dreams and fantasy.

I live quietly at home among my family and friends.

I prefer insomnia to anaesthesia.

When you have a foreign invasion - in this case by the Indonesian army - writers, intellectuals, newspapers and magazines are the first targets of repression.

Literature is my life of course, but from an ontological point of view. From an existential point of view, I like being a teacher.

I don't want to promote my own image either. I don't like going on television or mixing in literary circles.

The salt of any interesting civilization is mixture.

It's the job of intellectuals and writers to cast doubt on perfection.

As a writer, I've always been interested in others.

Doubts are like stains on a shirt. I like shirts with stains, because when I'm given a shirt that's too clean, one that's completely white, I immediately start having doubts.

It's very useful when politicians have doubts because there are so many choices to be made in the world.

My books are about losers, about people who've lost their way and are engaged in a search.

Eco sees the intellectual as an organizer of culture, someone who can run a magazine or a museum. An administrator, in fact. I think this is a melancholy situation for an intellectual.

Xenophobia manifests itself especially against civilizations and cultures that are weak because they lack economic resources, means of subsistence or land. So nomadic people are the first targets of this kind of aggression.

Perfection spawns doctrines, dictators and totalitarian ideas.

An intellectual is going to have doubts, for example, about a fundamentalist religious doctrine that admits no doubt, about an imposed political system that allows no doubt, about a perfect aesthetic that has no room for doubt.

I claim the right to take a stand once in a while.

Fifty years after half a million gypsies were exterminated in the Second World War - thousands of them in Auschwitz - we're again preparing the mass killing of this minority.

There are some fundamental values it's impossible to be wrong about.

Like a blazing comet, I've traversed infinite nights, interstellar spaces of the imagination, voluptuousness and fear.

Like a blazing comet Ive traversed infinite nights interstellar spaces of the imagination voluptuousness and fear.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The idea is, if I can't heal from my art, then how can you heal?

There is sometimes a peculiar confusion in the West that equates progress to whatever is recent or whatever is new, and it is time we understood that progress has nothing to do with the chronology of an idea.

The idea of licking stamps seemed great fun for me.

Learn about the world, the way it works, any kind of science and anthropology, it's really an interesting place we live in. Evolution is a really fantastic idea, even more than the idea of God I think.

It's slightly complicated for people to grasp the idea of a head of state in human form.

As far as I know, only a small minority of mathematicians, even of those with Platonist views, accept the idea that there may be mathematical facts which are true but unknowable.