I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

Yes, I took up the guitar when I was about 14 or 15, in high school.

My favorite Oscar story was a year my brother had been nominated, my whole family went.

I like to try to make the characters I play be as human as possible.

And when I've been away from my family and friends, I have felt good hearing some of those old songs.

And I like music, too, I like playing music.

Part of the western movement is this desire that we, Americans, have to keep pressing on.

We all feel really blessed to have been with my dad for these 85 years.

I've always been interested in the history of the West, our country and particularly as it relates to the Native Americans - the original Americans.

Some of my oldest friends are actors. But that's not the only place my friends come from.

Second, this epic tale allows the audience to actually listen to the Native Americans and receive their wisdom. Spielberg conveys the respect for Native Americans that is normally lacking in Western films.

I think, I would guess most people keep secrets.

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

Steve and I saw eye to eye on the story and I got the part, but I think in the beginning it was due to my brother's instigation. So I owe him for that.

My brother and I are always trying to figure out a way to work again together.

Sure, I have a lot of friends that are actors. Just because I guess I run into a lot of actors in my work.

Yeah, I'm very impressed with Lifetime, this is the first time I've worked with them. I really like the kind of programming that they're into, so I'm hoping that I will.

My father was my teacher. But most importantly he was a great dad.

But on the other hand I believe I'm a private person too, and I enjoy that aspect of my life as well.

And then I got into sports and gave my guitar to my brother Jeff who was just a little kid at that time.

My mom is many times responsible for getting us all together, but we trade off at each other's houses. My brother and I are actors and are traveling a lot of our job.

Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.

I also like to garden. I grow things, vegetables, flowers... I particularly like orchids. I raise orchids.

As an actor, I travel around a lot and live in a lot of hotels, and many times I've been in a town where the only entertainment to be had is what you find in the hotel bar or lobby.

The one we keep pitching and there are no takers is The Fabulous Baker Boys Go To Hawaii. There don't seem to be any takers on that one!

My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.

The things I enjoy most as I watch the movie are the things that came through without even thinking.

First of all my real full name is Lloyd Vernet Bridges III.

When we work to end childhood hunger we are giving our love to kids who need it so much they will never ask for it.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!