The latest page I've been working is about the organization of the pantheon of the gods. Who's indebted to whom, how they are related, who screwed whose uncle or grandmother, all of that.

What I feel bad about is not having published very much in the last few years.

I started producing work with an ecstatic addiction.

At this present time, matter is still the best way to think of architecture, but I'm not so sure for very long. The computer is radicalizing the way we think about our world.

I feel most strongly about Jerusalem, because architects ultimately have to address that city.

MTV lets us do whatever we want. For me, there is freedom in serving an experienced client who knows what they want and has the money to do it. MTV is that for us.

The latest page I've been working is about the organization of the pantheon of the gods. Who's indebted to whom, how they are related, who screwed whose uncle or grandmother, all of that.

Satire is fascinating stuff. It's deadly serious, and when politics begin to break down, there is a drift towards satire, because it's the only thing that makes any sense.

Student journeys which were important to me were Sicily, Greece, and Egypt, where I really saw these buildings, and that is where you're able to grasp what things mean.

I'm just interested in meditating on certain ideas, and I like to draw: that's my way of thinking.

I deeply believe in pluralism. I believe in the close proximity of multiple systems or agnostic systems.

We are pushing hard to find quality advertising clients.

Politics are beautiful. They enable a community to live collectively with one another. It's not about stabbing each other in the back; it's about enabling people to reach their dreams and pursue happiness.

When I left school I went on trip around the world - I only got as far as Australia, but like a bloody fool I cut it short because of a girl. It's probably one of my big regrets in life.

I haven't done any building designs since the Loaf House.

Any ideal system is its own worst enemy, and as soon as you start to implement these visions of grandeur, they just fall apart and turn into a complete tyranny.

The corruption of the American soul is consumerism.

The Irish and British, they love satire, it's a large part of the culture.

You can just drift unhappily towards this vision of heaven on earth, and ultimately that is what architecture is a vision of: Heaven on earth, at it's best.

If you're into architecture and you're from the West, everything is hors d'oeuvres for working to rebuild the Temple. Ultimately you're led there. You can't escape it.

I'm interested in locating the holy grail of the minimum means to express the most complex ideas.

I see man more as an instrument or an agent more than anything else.

The beast for me is greed. Whether you read Dante, Swift, or any of these guys, it always boils down to the same thing: the corruption of the soul.

I have a book of buildings from 25,000 BC. These are huts built out of mammoth bones. These buildings were beautifully made, from the bones of the body into shelter.

I'm not an expert, but I want to be.

It is the privilege of the gods to want nothing, and of godlike men to want little.

Some gods may cross your path, but why should gods be beautiful? They could also be frightening.

And so there is no God but has been in the loins of past gods.

So many gods, so many creeds, so many paths that wind and wind while just the art of being kind is all the sad world needs.

There may or may not be a God or gods; the Siblings do not concern themselves with proving or disproving such a thing. By definition, gods are more powerful than men, and thus quite able to fend for themselves without help.

Art is the final cunning of the human soul which would rather do anything than face the gods.

A man's moral conscience is the curse he had to accept from the gods in order to gain from them the right to dream.

When I investigate and when I discover that the forces of the heavens and the planets are within ourselves, then truly I seem to be living among the gods.

I saw my parents as gods whose every wish must be obeyed or I would suffer the penalty of anguish and guilt.

Neither gods nor men can foresee when an evil deed will bear its fruit.

Whom the gods wish to destroy they first call promising.

In the last fifty years science has advanced more than in the 2,000 previous years and given mankind greater powers over the forces of nature than the ancients ascribed to their gods.

As flies to wanton boys, are we to the gods; they kill us for their sport.

Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.

Few nations have been so poor as to have but one god. Gods were made so easily, and the raw material cost so little, that generally the god market was fairly glutted and heaven crammed with these phantoms.

The gods too are fond of a joke.

Our lives are not in the lap of the gods, but in the lap of our cooks.

The poets are only the interpreters of the Gods.

Computers are like Old Testament gods; lots of rules and no mercy.

The gods loves to punish whatever is greater than the rest.

Never invoke the gods unless you really want them to appear. It annoys them very much.

Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.

Old myths, old gods, old heroes have never died. They are only sleeping at the bottom of our mind, waiting for our call. We have need for them. They represent the wisdom of our race.

All gods are homemade, and it is we who pull their strings, and so, give them the power to pull ours.