The challenge of film is making it right there at that moment, and then you get to move on.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I love pasta with the homemade marinara sauce I had as a kid.

I know Mama Rose is a great role and I love having a chance to do it.

In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Chekhov. The scariest part was playing Chekhov!

Working on behalf of companion animals is so important. We start to realize how healing they are.

Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there's great truth in the songs, and that's what was so wonderful to find.

No One Is Alone by Stephen Sondheim is all about thinking for yourself and being your own person.

The first big lead that I had on Broadway was in a show called La Strada.

We've been listening to Wagner, which is so great.

George M. is where I met my dear friend Joel Grey. We connected at rehearsal one day during a five-minute break. We were both looking out the same window and we knew in five minutes that we'd made a connection.

I love 'Some Enchanted Evening', and 'If I Loved You'. And as I sing them more and more, I find new favorites.

I feel strongly for gay marriage to be accepted.

Into The Woods was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.

Animals speak with pure affection. It's important to me to get something going in NY so we can get to be a no-kill city, and give the animals homes and more attention and love.

When there's a terrible illness like AIDS sweeping through, you help people.

It was one of the most exciting, perfect evenings of my life, my solo debut at Carnegie Hall. And knowing we were all there to raise money for Gay Men's Health Crisis made the evening an extraordinary experience.

You've gotta be original, because if you're like someone else, what do they need you for?

You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.

I don't smoke, I don't drink much, I don't eat red meat. I stay out of the sun.

Getting plenty of sleep is always great. It really is. I have a girlfriend who's sending me a slant board.

When something isn't done, you want to do something about it.

Sondheim writes the music and lyrics, and because he's so smart and goes so deep with his feelings, there's a lot to explore, get involved with and learn about.

The challenge of film is making it right there at that moment, and then you get to move on.

The first Broadway show I ever heard was the recording of Carousel, and it was a very vivid experience.

It Might As Well Be Spring... I used to sing that as a young girl in my voice lessons. Then I picked it up again and it spoke to me in a whole new way.

I lost a very dear friend who lived with AIDS for about 17 years. Rejecting early treatments that were iffy, he thought he saved himself. I really miss him a lot.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

To do the Ozzfest again would be great. I'd like to finish with a final Sabbath album. You always feel that it is still a challenge.

People are not perfect... very often the relationships that are strongest are those where people have worked through big crises, but they've had to work through them. So the challenge to us is to work through that.

Every single book is a challenge.

Critics are sentinels in the grand army of letters, stationed at the corners of newspapers and reviews, to challenge every new author.

The lopsided attitudes of college professors pose a serious challenge to learning because students are so susceptible to becoming lopsided sheep.

I really enjoy comedy. It's a real challenge.

I had a hard time with that hockey. I hadn't grown up skating, so that was my biggest challenge. We worked on it and worked on it. But then when we first shot it, it was so hard for me.

The challenge is to practice politics as the art of making what appears to be impossible, possible.

Change can either challenge or threaten us. Your beliefs pave your way to success or block you.

My greatest challenge has been to change the mindset of people. Mindsets play strange tricks on us. We see things the way our minds have instructed our eyes to see.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.

I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge.

I'm not looking to set a standard... but, I believe I have offered a challenge to others with my work.

If you live a life of make-believe, your life isn't worth anything until you do something that does challenge your reality. And to me, sailing the open ocean is a real challenge, because it's life or death.

And, I'd never done Tennessee Williams, and I had done Broadway musicals, so it was a challenge.

When you remove the risk, you remove the challenge. When you remove the challenge, you wither on the vine.

After Land I wanted to continue exploring the theme but I needed a new challenge so turned to colour. I explored Bradford and produced a series of urban landscapes that I liked, but because Land had made such an impact on the general public my colour work wasn't reviewed.

The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.

For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines.

This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood.