I listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.

We used to drink an awful lot of alcohol.

I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.

I mean, Chris is, I'm sure, a wonderful guy. But in those days he also very, very late. For all appointments and departures and arrivals and sound checks and anything.

I don't really remember a whole lot of sex, drugs and rock n' roll, really.

Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.

The piano is kind of my second instrument.

I do remember the whole thing as being very argumentative, hot blooded... a permanent state of friction between Jon and Chris, Chris and me, me and Jon.

This amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses.

Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.

At the end of the whole day of working with people you want some privacy.

I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts.

The best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.

We were from totally different social backgrounds. This is what is very hard for an American to understand, but we could have been five guys from Mars.

But what I think my emphasis is, is on the fact that I like music a lot.

If I was hearing something I couldn't do, I would figure out how to do it.

If it's fast, no I don't have enough piano technique. In that case, it's probably been done on some kind of synthesizer or sequencer. Then the score can then be printed out and so forth.

My harmony is passable but is usually made more eloquent at the hands of Steve Hamilton.

And we'd drink huge amounts of scotch and coke, which is a ghastly sweet drink... And now people don't drink nearly as much, for good reason. We're all a little wiser.

I listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.

So I have the classic amateur's technique; I know some very tricky bits and I have large gaping holes.

I seldom play in a trio, but acoustic music is likely to be lighter, quicker, and quieter.

Sometimes I had to room with Tony Kaye and that was awful.

I have been steadily exchanging a rock audience who were nervous about what they had just bought for a jazz audience who not only were happy with their purchase, but are increasingly coming again.

We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.

I practice at home, in between phone calls, and have much to do.

Whatever I have come to offer, I have come to offer and it may or may not be connected to anything that has happened in the past.

And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.

Drummers havent managed to develop their individuality quite as well as guitarists have. We can be so focused on the nuts and bolts that we overlook the importance of individuality the broader picture if you will.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.