So I have the classic amateur's technique; I know some very tricky bits and I have large gaping holes.

We used to drink an awful lot of alcohol.

I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.

I mean, Chris is, I'm sure, a wonderful guy. But in those days he also very, very late. For all appointments and departures and arrivals and sound checks and anything.

I don't really remember a whole lot of sex, drugs and rock n' roll, really.

Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.

The piano is kind of my second instrument.

I do remember the whole thing as being very argumentative, hot blooded... a permanent state of friction between Jon and Chris, Chris and me, me and Jon.

This amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses.

Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.

At the end of the whole day of working with people you want some privacy.

I saw it as a challenge to play with Pat and we put hours and hours into it, usually on the bus. The trick was to find something that we both wanted to play within our different styles which would add up to being greater than the sum of its parts.

The best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.

We were from totally different social backgrounds. This is what is very hard for an American to understand, but we could have been five guys from Mars.

But what I think my emphasis is, is on the fact that I like music a lot.

If I was hearing something I couldn't do, I would figure out how to do it.

If it's fast, no I don't have enough piano technique. In that case, it's probably been done on some kind of synthesizer or sequencer. Then the score can then be printed out and so forth.

My harmony is passable but is usually made more eloquent at the hands of Steve Hamilton.

And we'd drink huge amounts of scotch and coke, which is a ghastly sweet drink... And now people don't drink nearly as much, for good reason. We're all a little wiser.

I listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.

So I have the classic amateur's technique; I know some very tricky bits and I have large gaping holes.

I seldom play in a trio, but acoustic music is likely to be lighter, quicker, and quieter.

Sometimes I had to room with Tony Kaye and that was awful.

I have been steadily exchanging a rock audience who were nervous about what they had just bought for a jazz audience who not only were happy with their purchase, but are increasingly coming again.

We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.

I practice at home, in between phone calls, and have much to do.

Whatever I have come to offer, I have come to offer and it may or may not be connected to anything that has happened in the past.

And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.

Drummers havent managed to develop their individuality quite as well as guitarists have. We can be so focused on the nuts and bolts that we overlook the importance of individuality the broader picture if you will.

Punishment renders autonomy of conscience impossible.

God's Word is alive and powerful! When you declare these words over your life, the truth of God's Word draws forth the seeds of love that God deposits into us when we invite Jesus to be our Lord and Savior.

Socialism is politicized envy.

Kinkade's paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, I'd love to see a museum mount a small show of Kinkade's work. I would like the art world and the wider world to argue about him in public, out in the open.

The market town of Cheltenham, in Gloucestershire, was a popular 19th - century English spa. Its mineral springs were supposed to be good for you. This was before the invention of bran. In the 20th century, Cheltenham grew into an active municipality.

I don't know what being an Everest guide means. I am a coach, not a guide.

I've been approached in the past to option my stories for television, but prior to Evergreen, there were no assurances the production would be filmed in Alaska.

We are running ourselves into a damaged earth. But I am optimistic. I believe that we can change; we must change. As a human race, we are very young and quite primitive. The sooner we learn the greatness of humanity the better off we will all be.

I write these shows one joke at a time. There's no continuity. I do try to figure an order to the stories, but there's not continuity.

Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.

If I'd had the chance, I'd like to have completed my degree before going full-time, and sports journalism was something that always interested me. Dad used to buy a paper, and I always turned straight to the sports pages.

Books are good company in sad times and happy times for books are people people who have managed to stay alive by hiding between the covers of a book.

You can't just buy the sports section of 'The New York Times.' You take the whole paper.

When you're with a group of semi-psychotic people, you kind of lose track of reality; it's almost like being in some sort of cult or something.

I love my cooking tools because I enjoy cooking - a Vitamix for smoothies and a rice cooker for steel-cut oats. I travel with a small rice cooker. I soak oats overnight, and when I get up, I just turn the rice cooker on, and it cooks the oats perfectly every time.

I grew up moving around. I went to seven different schools, so I know what it's like to be that new girl and have to not only know who you are but also take that into foreign circumstances and know how to respond.

I'd never ask an actor to do something I couldn't do - not that I'm the best actor in the world - but if I can do it, then I know that anyone I hire can do these things.

My mom taught me the power of love. I learned to focus on the long-term big picture from my father. His sense of humor and light-hearted approach always make me smile. My husband is a pivotal anchor in my life. His influence encourages me to be independent and take risks.

Any good writer is going to be well-received and is going to not be well-received; that's how you know you're a great writer.

I think women can be as cruel as men, and men as tender as women, and vice versa.