I just became one with my browser software.

Zippy accepts chaos as what it is, which is the real order of everything.

Comics is a language. It's a language most people understand intuitively.

The down side of Americans being obsessed with pop culture is that they kind of like it light.

I hate Calvin and Hobbes. I think its a big re-hash of formula kid strips.

Well, I've done a lot of strips since I've been here about Zippy and me being in Connecticut.

Unfortunately what came out of it was also kind of an imitation community with a lot of mindless conformity.

Yes, but personally I was never a big acid head.

Are we having fun yet?

Everybody that loves Nancy loves it in a slightly condescending way. Nancy is comics reduced to their most elemental level.

When drugs came around I sampled them just like anybody else but I never became dependent creatively on drugs; like various cartoonists in the underground never did anything if they weren't stoned, That was the prerequisite for sitting down and drawing.

What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.

If something is going on in my life, it winds up getting into my strip.

When I was an art student in the early 60's before the acid scene began I was smoking pot just like anyone else who was an artist.

A full, rich drawing style is a drawback.

Zippy is living in the moment.

Their scrambled attention spans struck me as a metaphor for the way we get our doses of reality these days.

I always thought of Levittown as a joke.

I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.

My first character was Mr. Toad.

I had a very diametrically opposite set of parents.

Jazz, rock and roll, movies and comics are the culture of America.

I guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.

Mike Judge, who I've become friends with over the years never took himself seriously as an artist.

Looking back Little Lulu was an early feminist, but at the time I just thought she was a really feisty developed comic strip character.

I just became one with my browser software.

All life is a blur of Republicans and meat.

I had a mixture, my father was a career army man and my mother was a writer.

Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.

I think Zippy is part of me, but I'm not Zippy.

Frivolity is a stern taskmaster.

But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.

She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.

All software sucks.

Defect-free software does not exist.

Software development is technical activity conducted by human beings.

Digital art software has empowered both the painterly side of photographers, and the photographer side of painters.

Red Carpet Enterprise has been really well received since one guy can install it in about an hour, and it makes it trivial to deal with software management issues like deploying updates and creating standard package sets for your various machines.

Adding manpower to a late software project makes it later.

As every new breed of virus is conceived, created and released into the wild, another small change is made to the anti-virus software to combat the new threat.

While the creative works from the 16th century can still be accessed and used by others, the data in some software programs from the 1990s is already inaccessible.

Twenty-five years ago, the notion was you could create a general problem-solver software that could solve problems in many different domains. That just turned out to be totally wrong.

Diaspora starts about a thousand years from now. Most of human civilisation has moved inside computers; essentially, a major branch of our descendants consists of conscious software.

We also had good software in the key categories and more focus on the gameplaying capability, so more of the marketing effort was targeted at game customers.

None of our competitors have ever made two systems that run the same software.

I want people to use Perl. I want to be a positive ingredient of the world and make my American history. So, whatever it takes to give away my software and get it used, that's great.

When it comes to software, I much prefer free software, because I have very seldom seen a program that has worked well enough for my needs, and having sources available can be a life-saver.

However, writing software without defects is not sufficient. In my experience, it is at least as difficult to write software that is safe - that is, software that behaves reasonably under adverse conditions.