Well, I've done a lot of strips since I've been here about Zippy and me being in Connecticut.

Zippy accepts chaos as what it is, which is the real order of everything.

Comics is a language. It's a language most people understand intuitively.

The down side of Americans being obsessed with pop culture is that they kind of like it light.

I hate Calvin and Hobbes. I think its a big re-hash of formula kid strips.

Well, I've done a lot of strips since I've been here about Zippy and me being in Connecticut.

Unfortunately what came out of it was also kind of an imitation community with a lot of mindless conformity.

Yes, but personally I was never a big acid head.

Are we having fun yet?

Everybody that loves Nancy loves it in a slightly condescending way. Nancy is comics reduced to their most elemental level.

When drugs came around I sampled them just like anybody else but I never became dependent creatively on drugs; like various cartoonists in the underground never did anything if they weren't stoned, That was the prerequisite for sitting down and drawing.

What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.

If something is going on in my life, it winds up getting into my strip.

When I was an art student in the early 60's before the acid scene began I was smoking pot just like anyone else who was an artist.

A full, rich drawing style is a drawback.

Zippy is living in the moment.

Their scrambled attention spans struck me as a metaphor for the way we get our doses of reality these days.

I always thought of Levittown as a joke.

I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.

My first character was Mr. Toad.

I had a very diametrically opposite set of parents.

Jazz, rock and roll, movies and comics are the culture of America.

I guess if you take yourself seriously as an artist there starts either the problem or the beauty of doing good artwork.

Mike Judge, who I've become friends with over the years never took himself seriously as an artist.

Looking back Little Lulu was an early feminist, but at the time I just thought she was a really feisty developed comic strip character.

I just became one with my browser software.

All life is a blur of Republicans and meat.

I had a mixture, my father was a career army man and my mother was a writer.

Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.

I think Zippy is part of me, but I'm not Zippy.

Frivolity is a stern taskmaster.

But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.

She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

I'm glad I'm not Brezhnev. Being the Russian leader in the Kremlin. You never know if someone's tape recording what you say.

Being a musician is what I do, but it's not what I am.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

We've had it very clear to the Bosnians that our obligation to equip and train their forces is completely conditional on the foreign forces being gone.

My parents were amazing people who had no business being together - and they knew it.