I remember right after Carter got elected, I was sitting in my apartment in Albany, CA, on a Saturday listening to people call Carter and ask stupid questions while I designed the screen editor.

But no, I don't generally have trouble with spelling mistakes.

I started to write a new editor not too long ago and had it about half done after two days.

Systems are going to get a lot more sophisticated.

I think the Macintosh proves that everyone can have a bitmapped display.

Document preparation systems will also require large screen displays.

Well, limbo is not a good place to be.

Bitmap display is media compatible with dot matrix or laser printers.

I just don't like to lose what's in the window.

I got tired of people complaining that it was too hard to use UNIX because the editor was too complicated.

Interleaf is based on the formatting process.

The point is that you want to have a system that is responsive.

But with Interleaf I don't even have a spell program.

The fundamental problem with vi is that it doesn't have a mouse and therefore you've got all these commands.

I think editors have to come out of a certain kind of community.

I remember right after Carter got elected, I was sitting in my apartment in Albany, CA, on a Saturday listening to people call Carter and ask stupid questions while I designed the screen editor.

The reason I use ed is that I don't want to lose what's on the screen.

I think the hard thing about all these tools is that it takes a fair amount of effort to become proficient.

Interleaf is very nice. I expect there to be a lot of competition for programs like that.

That lack of programmability is probably what ultimately will doom vi. It can't extend its domain.

So Chuck and I looked at that and we hacked on em for a while, and eventually we ripped the stuff out of em and put some of it into what was then called en, which was really ed with some em features.

It is formatted, and I'm tired of using vi. I get really bored.

I think multiple levels of undo would be wonderful, too.

I had almost rewritten all of the display code for windows, and that was when I gave up.

I think it killed the performance on a lot of the systems in the Labs for years because everyone had their own copy of it, but it wasn't being shared, and so they wasted huge amounts of memory back when memory was expensive.

I wish we hadn't used all the keys on the keyboard.

I think the wonderful thing about vi is that it has such a good market share because we gave it away.

I think one of the interesting things is that vi is really a mode-based editor.

I was surprised about vi going in, though, I didn't know it was in System V.

There are always more smart people outside your company than within it.

My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

Fancy your having no sunshine in London yesterday! Here it was glorious, like full summer, and I sat up with the window wide open, listening to the discourse of two amorous thrushes.

I was growing up listening to Queen. Freddie Mercury threw those incredible melodies into his songs.

I just love listening to the laughter.

I was up until all hours of the night, listening to stories, meeting great old comedians.

There are many benefits to this process of listening. The first is that good listeners are created as people feel listened to. Listening is a reciprocal process - we become more attentive to others if they have attended to us.

I started listening to music when I wrote when I had three sons at home.

My playing started to develop through the Miles Davis stuff I was listening to.

The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.

Any problem, big or small, within a family, always seems to start with bad communication. Someone isn't listening.

Whatever had been on the radio in the '60s; I mean we were always listening to the radio.

Because of the changes in the Padres team I played with last year, I felt like a veteran recently when I worked out with Jason Kendall and he told me he's liked listening to my records since he was a kid!

I think listening to real classic soul material made me learn how to feel music that's sung.

All of my style came from listening to records.

I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.

You can do and use the skills that you have. The schools need you. The teachers need you. Students and parents need you. They need your actual person: your physical personhood and your open minds and open ears and boundless compassion, sitting next to them, listening and nodding and asking questions for hours at a time.