I started listening to music when I wrote when I had three sons at home.

I started listening to music when I wrote when I had three sons at home.

Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.

I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.

No one can write like Vallejo and not sound like a fraud. He's just too much himself and not you.

My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote.

Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.

I listen to jazz about three hours a day. I love Louis Armstrong.

My temperament is not geared to that of a novelist.

I'm seventy-one now, so it's hard to imagine a dramatic change.

Back then, I couldn't have left a poem a year and gone back to it.

My mother carried on and supported us; her ambition had been to write poetry and songs.

I was very lucky to have a mother who encouraged me to become a poet.

If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.

The irony is, going to work every day became the subject of probably my best poetry.

For sure I once thought of myself as the poet who would save the ordinary from oblivion.

I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.

But most commonly, it's one poem that I work on with a lot of intensity.

There'll always be working people in my poems because I grew up with them, and I am a poet of memory.

I have a sense that many Americans, especially those like me with European or foreign parents, feel they have to invent their families just as they have to invent themselves.

I write what's given me to write.

But I'm too old to be written about as a young poet.

I realized poetry's the thing that I can do 'cause I can stick at it and work with tremendous intensity.

My father died when I was five, but I grew up in a strong family.

It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

Most fathers don't see the war within the daughter, her struggles with conflicting images of the idealized and flawed father, her temptation both to retreat to Daddy's lap and protection and to push out of his embrace to that of beau and the world beyond home.

I was stuck at home in bed with me and got more and more involved with the Internet. I used it to keep in contact with friends and to make sure I was up to date with everything that was going on in the world.

I'm going to buy some green bananas because by the time I get home they'll be ripe.

Removing substantial fuel loads from our forests helps prevent catastrophic fire and better protects species, watersheds and neighboring communities that call them home.

I'm looking forward to providing the men of Seattle with an evening where they can kick back, light up a cigar and enjoy a night to themselves. Women, we can't technically keep you out, but please stay at home.

I listen to the phone-ins on the way home and I know how the fans feel.

I'm a 7 o'clock act. My people want to go to a show, a dinner and then go home and go to bed.

The average husband enjoys the total effect of his home but is usually unable to contribute any of the details of work and organisation that make it enjoyable.

To my mind, the most important aspect of the Nobel Awards is that they bring home to the masses of the peoples of all nations, a realization of their common interests. They carry to those who have no direct contact with science the international spirit.

I think a good MP is someone who cares for their community and becomes their champion, which is why I will make my home in any seat I am lucky enough to be selected for. Looks play no part in the equation, what matters is your ideas and connecting them to the electorate.

We in this Congress have a choice. The American people have a right to exercise a choice on this issue, as to whether our men and women will continue to fight and die in a war based on deception and fantasy, or to start bringing the troops home.

American and Israel share a special bond. Our relationship is unique among all nations. Like America, Israel is a strong democracy, a symbol of freedom, and an oasis of liberty, a home to the oppressed and persecuted.

I'd get 3-4 cheap home runs every year. You know, little 'wood shots' down either line. They would be pop flies in any other park. But, goodness me, they didn't count the number of long outs!

Your home should be your home. People shouldn't be allowed to use whatever crazy lenses they use to catch you waking up in the morning.

He went, ever on the move, with the slow, shuffling step of wandering beggars who are nowhere at home.

At home in Paris I take a milk bath two times a week, but here on the road it is more difficult. I miss them.

When I am home for like a two-year stretch, I get antsy, because I want to work.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

You should never meet your heroes. Paul Newman... I was so excited about meeting him, but he turned up in shell suit bottoms, slippers, and a jumper. He was just so worn out and old, he wanted to go home.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

The mare set off for home with the speed of a swallow, and going as smoothly and silently. I never had dreamed of such a motion, fluent and graceful, and ambient, soft as the breeze flitting over the flowers, but swift as the summer lightening.