I think that people should learn about that. In most music, there's one way that you do something, and that's the only way. In jazz, it's a lot different.

Jazz needs the help. It's the more sophisticated music. All the other music is on the TV, but jazz isn't.

If somebody would come and they're not playing music, they would encounter certain people on another level.

Because the stuff that they feed kids now, they'll have a bunch of idiots in the next millennium as far as art and culture is concerned.

The people in Japan know more about the history of jazz and the musicians than the people in the United States do.

I enjoy seeing young people being interested in what they can do.

The Japanese actually approach the music on a high level. It's always been on a high level.

There's so much beautiful music in the world, and the kids are getting robbed.

Music. It's all creativity right here, right now.

I might have played a little bit more in Europe than I have in Japan.

It brings people together. It brings the races together. It brings religions together.

It doesn't have anything to do with yesterday or tomorrow, it's all right now.

The first thing is, jazz is one of the few things to let you know that there is a God and there is a creation.

The French - they like jazz, they've been on jazz a long time.

If I couldn't do it, then I'd be defeated. I've got the tools to do it. I never did question my tools.

The United States is a beautiful place, you know?

You know the drum was the first instrument besides the human voice.

It's something that - jazz is one of the few things that you can go and listen to, I don't care where you're from, what you are, what background you come from - there's something there for you.

I think that people should learn about that. In most music, there's one way that you do something, and that's the only way. In jazz, it's a lot different.

The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

In my view a jazz musician is a great musician.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.

I have to plead basic ignorance of most new jazz artists here.

If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I don't like freedom jazz - I think it's void of roots and void of foundation.

Jazz needs the help. It's the more sophisticated music. All the other music is on the TV, but jazz isn't.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Life is a lot like jazz... it's best when you improvise.

I still love the whole history of jazz. The old things sound better than ever.

A jazz musician is a juggler who uses harmonies instead of oranges.

Jazz is a music of great achievements but speed and chops serve a different function in jazz.

I don't want to appear hostile, like I'm hostile to L.A. or that I feel that the people don't appreciate jazz. I don't think it's that. I think it's something more. It's something a little bit more complicated than that.

Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.

People sometimes say it takes a long time to become a jazz fan, but for me it took about five seconds.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

Here in England we live at a slower pace, have more time to enjoy things - like good jazz.

Jazz is rhythm and meaning.

Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing.

A jazz musician can improvise based on his knowledge of music. He understands how things go together. For a chef, once you have that basis, that's when cuisine is truly exciting.

What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact.

I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends.

One of the things I like about jazz, kid, is I don't know what's going to happen next. Do you?