Actors are very generous.

I try to avoid a specific image. I seek to play as many different women as I can to avoid having a label put on me.

I've kept my sanity in this business by trying out for a role and then going home and trying to forget about it.

Mostly, I spend my time being a mother to my two children, working in my organic garden, raising masses of sweet peas, being passionately involved in conservation, recycling and solar energy.

It was in high school that I first became interested in acting. We put on lots of plays.

I loved doing Shakespeare. My two favorite roles, in fact, have been Viola in Twelfth Night and Helena in A Midsummer Night's Dream.

I feel a little guilty only being an actor.

Acting is really only part of my life. I'm addicted to it.

Actors are very generous.

You learn more discipline in the theatre than you do in movies or TV. You're on stage every night and you have to sustain your energy level tor several hours.

I've been very lucky. I wanted to be an actress, but I didn't really have the drive to sell myself. Fortunately I had a terrific agent in New York who kept me going from job to job.

Onstage or in films, you do affect peoples' lives, and sometimes that's very gratifying. But still, there's this little voice that says you should be doing something that matters.

I think I have a lot of crazy layers.

I've always just adored music. It's my first love, really. I admire and respect people in the music business. You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can't do that if you're a musician.

Maybe subconsciously I've kept activism separate from acting because it's important to me in a more profound way.

I think one of my very favorite films of all time was with Peter Sellers when he played Chauncey, the gardener. Being There.

I feel that its our children who do give us hope because they are the ones who are going to save the world.

I was raised in a time where children were still seen and not heard basically, so I think a lot of us in my generation went the other way and just tried to be as much more liberal and open and we're still paying for it.

Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.

Just look at my face. Its an extraordinary experience. All of my friends who are grandparents have been saying, just wait, a bit cynically, but its just extraordinary. You feel like a child again yourself. Just walking on air.

For a woman who's a widow and pretty much a loner, I can walk out, and I'm surrounded by NYU kids. The energy jumps off the sidewalks, and I never feel sad or bored.

I don't read critics, and I don't care what they say. You can't let them steal your soul. You do what the director and production is committed to doing. I just think it's terrible that critics have the power to keep people away from a good production.

I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.

I live in New York, and when you're older and widowed, it's a perfect place because you just don't feel lonely there, and, luckily, I like my own company, too.

I really do like being independent, and I don't want to have to rely on anyone else to cart me around if I break a bone.

My family was very musical. My brother is an opera singer; my parents both sang.

My theory in anything you do is to keep exploring, keep digging deeper to find new stuff.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.