Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.

I try to avoid a specific image. I seek to play as many different women as I can to avoid having a label put on me.

I've kept my sanity in this business by trying out for a role and then going home and trying to forget about it.

Mostly, I spend my time being a mother to my two children, working in my organic garden, raising masses of sweet peas, being passionately involved in conservation, recycling and solar energy.

It was in high school that I first became interested in acting. We put on lots of plays.

I loved doing Shakespeare. My two favorite roles, in fact, have been Viola in Twelfth Night and Helena in A Midsummer Night's Dream.

I feel a little guilty only being an actor.

Acting is really only part of my life. I'm addicted to it.

Actors are very generous.

You learn more discipline in the theatre than you do in movies or TV. You're on stage every night and you have to sustain your energy level tor several hours.

I've been very lucky. I wanted to be an actress, but I didn't really have the drive to sell myself. Fortunately I had a terrific agent in New York who kept me going from job to job.

Onstage or in films, you do affect peoples' lives, and sometimes that's very gratifying. But still, there's this little voice that says you should be doing something that matters.

I think I have a lot of crazy layers.

I've always just adored music. It's my first love, really. I admire and respect people in the music business. You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can't do that if you're a musician.

Maybe subconsciously I've kept activism separate from acting because it's important to me in a more profound way.

I think one of my very favorite films of all time was with Peter Sellers when he played Chauncey, the gardener. Being There.

I feel that its our children who do give us hope because they are the ones who are going to save the world.

I was raised in a time where children were still seen and not heard basically, so I think a lot of us in my generation went the other way and just tried to be as much more liberal and open and we're still paying for it.

Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.

Just look at my face. Its an extraordinary experience. All of my friends who are grandparents have been saying, just wait, a bit cynically, but its just extraordinary. You feel like a child again yourself. Just walking on air.

For a woman who's a widow and pretty much a loner, I can walk out, and I'm surrounded by NYU kids. The energy jumps off the sidewalks, and I never feel sad or bored.

I don't read critics, and I don't care what they say. You can't let them steal your soul. You do what the director and production is committed to doing. I just think it's terrible that critics have the power to keep people away from a good production.

I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.

I live in New York, and when you're older and widowed, it's a perfect place because you just don't feel lonely there, and, luckily, I like my own company, too.

I really do like being independent, and I don't want to have to rely on anyone else to cart me around if I break a bone.

My family was very musical. My brother is an opera singer; my parents both sang.

My theory in anything you do is to keep exploring, keep digging deeper to find new stuff.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

I merely took the energy it takes to pout and wrote some blues.

I didn't know at the time that the energy that I was giving off was like a battle Emcee.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

It takes a lot more energy to fail than to succeed, since it takes a lot of concentrated energy to hold on to beliefs that don't work.

I try to give positive energy in all my shows.

In modelling, there is no point in trying to prove you have a brain, so why even bother? I'd sooner save the energy for something more meaningful.

I was part of it, and I am still part of it today in terms of what it means to a whole new generation of people who are interested in the enduring energy, achievements, spirit and creativity that exemplified our era.

I always like having kid energy around. I think it's good for a movie, even when you're doing dramatic stuff.

You had to decompress the pressure before the race. I taught my heart to relax. I lay down before the race. It gave me more energy just before the race.

As long as I had easy access to psychedelics at the government-sponsored research project, most of my energy went into psychedelic sessions.

You can have anything you want if you want it desperately enough. You must want it with an inner exuberance that erupts through the skin and joins the energy that created the world.

Nerves provide me with energy... It's when I don't have them, when I feel at ease, that's when I get worried.

Electric cars aren't pollution-free; they have to get their energy from somewhere.

When I see someone who is starved, they don't look alert. They don't have boundless energy. If you're too skinny, it looks like you're near death.

Why is it so painful to watch a person sink? Because there is something unnatural in it, for nature demands personal progress, evolution, and every backward step means wasted energy.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

If for no other reason than the energy crisis now facing this country, the federal government should be eager to become partners with us in rebuilding our city.

It takes a lot of energy to teach.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

I believe that the average guy in the street will give up a great deal, if he really understands the cost of not giving it up. In fact, we may find that, while we're drastically cutting our energy consumption, we're actually raising our standard of living.