I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing, in a very special location.

Yes I try to do everything I can not to fail hideously.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.

I was born on Wellington Avenue and my family that remains lives in the Lake Shore Drive area.

But obviously as television began, it so undercut movies that he was trying to think of a way to combine seeing these special things, and the fact that people were just captivated by the magic box.

My dad was the baby. When he was born they were already successful. They sent him to business school - he probably would have loved to have been a poet or a writer or something, and he was very creative.

God, I'd love to do a big commercial movie that made a lot of money and whose plot was interesting too.

I have a 92 year old father whose doing beautifully who lives in Chicago and a sister and a nephew and a niece and I love coming back and try to do so fairly often.

If anyone would have been paying serious attention to my puppet shows, I would have been sent to therapy very young.

I'm from the Midwest, and I loved my family. I had a very good time as a child, but I was also - I have a theory about Jews growing up in the Midwest, that there is an ultimately sort of wonderful avoidance of a lot of things, and a great acceptance of whatever is happening.

I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.

I was very much in my room with my marionette stage, you know, creating these incredibly boring things that I felt were so fascinating, and forcing my relatives to come, and charging money for them to see my little productions.

My family was loving... they were very supportive and very affectionate, and basically I could do what I wanted, and basically it wasn't anything dangerous, thank God.

And I think being a good director is being able to be completely tyrannical and you?ve got to be an absolute dictator while at the same time, you have to listen and see everything because it can all change on a dime.

People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.

I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing, in a very special location.

I always think that a director who knows about the technical side, but cares about the acting performances and casting as well, is ahead of the game.

I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.

I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.

I loved being in Close Encounters, just to watch Steven Spielberg working was exciting.

Maybe I was 7 - I probably am exaggerating a little - and immediately was plunged into the fact that there was an official place to put your fantasies. Up until then I didn't know what I would do with them all. It was very exciting for me, and I began very, very early on.

Oh, I was completely hooked on movies and plays and theater from the time I was a day old - I was very, very early on in love with movies and I loved plays.

And I think being a good director is being able to be completely tyrannical and you've got to be an absolute dictator while at the same time, you have to listen and see everything because it can all change on a dime.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The idea is, if I can't heal from my art, then how can you heal?

There is sometimes a peculiar confusion in the West that equates progress to whatever is recent or whatever is new, and it is time we understood that progress has nothing to do with the chronology of an idea.

The idea of licking stamps seemed great fun for me.

Learn about the world, the way it works, any kind of science and anthropology, it's really an interesting place we live in. Evolution is a really fantastic idea, even more than the idea of God I think.

It's slightly complicated for people to grasp the idea of a head of state in human form.

As far as I know, only a small minority of mathematicians, even of those with Platonist views, accept the idea that there may be mathematical facts which are true but unknowable.

So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.

I'm into the idea of responsibility and edification and these things have found me and I have found them. I wanted to be in the movie and I made it known to Mike.

Religion has caused more harm than any other idea since the beginning of time. There's nothing good I can say about it. People use it as a crutch.

Many of the Europeans who want Israel to go away don't even know why they do. Nearly a third of those interviewed concede they have no idea what the Israeli-Palestinian conflict is all about. It's enough to know that Israelis are Jews.

It was an idea we had when Al was in the Senate - to organize and moderate an annual conference that would look at government policy through the lens of the family to help identify ways that the family can be supported and strengthened.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

When employers tell me they prefer married men, and encourage their men to have homes of their own, because it makes them so much steadier, I wonder if they have any idea of all that that implies.

As a matter of fact they'd blacken us down. I guess there's a reason that according to what the Caucasian wanted us to look like. He wanted us to look-if we were Black, then he had his idea of what we look like.

All my pictures are built around the idea of getting in trouble and so giving me the chance to be desperately serious in my attempt to appear as a normal little gentleman.

I understand about this idea of terror and what it means to Americans and this idea that we can't just walk around free like we did; life has changed.

In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.

Yeah, I had an idea to make a very scary movie, based on a kind of serial murderer that preys on tourists.