I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.

Yes I try to do everything I can not to fail hideously.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.

I was born on Wellington Avenue and my family that remains lives in the Lake Shore Drive area.

But obviously as television began, it so undercut movies that he was trying to think of a way to combine seeing these special things, and the fact that people were just captivated by the magic box.

My dad was the baby. When he was born they were already successful. They sent him to business school - he probably would have loved to have been a poet or a writer or something, and he was very creative.

God, I'd love to do a big commercial movie that made a lot of money and whose plot was interesting too.

I have a 92 year old father whose doing beautifully who lives in Chicago and a sister and a nephew and a niece and I love coming back and try to do so fairly often.

If anyone would have been paying serious attention to my puppet shows, I would have been sent to therapy very young.

I'm from the Midwest, and I loved my family. I had a very good time as a child, but I was also - I have a theory about Jews growing up in the Midwest, that there is an ultimately sort of wonderful avoidance of a lot of things, and a great acceptance of whatever is happening.

I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.

I was very much in my room with my marionette stage, you know, creating these incredibly boring things that I felt were so fascinating, and forcing my relatives to come, and charging money for them to see my little productions.

My family was loving... they were very supportive and very affectionate, and basically I could do what I wanted, and basically it wasn't anything dangerous, thank God.

And I think being a good director is being able to be completely tyrannical and you?ve got to be an absolute dictator while at the same time, you have to listen and see everything because it can all change on a dime.

People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.

I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing, in a very special location.

I always think that a director who knows about the technical side, but cares about the acting performances and casting as well, is ahead of the game.

I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.

I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.

I loved being in Close Encounters, just to watch Steven Spielberg working was exciting.

Maybe I was 7 - I probably am exaggerating a little - and immediately was plunged into the fact that there was an official place to put your fantasies. Up until then I didn't know what I would do with them all. It was very exciting for me, and I began very, very early on.

Oh, I was completely hooked on movies and plays and theater from the time I was a day old - I was very, very early on in love with movies and I loved plays.

And I think being a good director is being able to be completely tyrannical and you've got to be an absolute dictator while at the same time, you have to listen and see everything because it can all change on a dime.

Awards are only a publicity gimmick.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

A couple of guys won Academy Awards for the things that I turned down. Today, after coming to terms with everything, after being in therapy for a long time-there are areas where I will compromise.

To my mind, the most important aspect of the Nobel Awards is that they bring home to the masses of the peoples of all nations, a realization of their common interests. They carry to those who have no direct contact with science the international spirit.

Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.

Smith and Carlos aside, I object to using the Olympic awards stand to make a political statement.

My friend made me a leather dress for the MTV awards. It gives you confidence, wearing something you love.

If you are looking for smart judging based on merit, skip the Academy Awards next year and pay attention to the Independent Spirit Awards.

The flattery is nice, but awards don't add up to writing quality songs.

Awards become corroded, friends gather no dust.

Awards are so unnecessary, because I think we get so much out of our work just by doing it. The work is a reward in itself.

A lot of my joy this year has been to give away awards to young people, no matter of race, creed or color, because they were a terrific violinist or a terrific dancer.

The Nobel awards should be regarded as giving recognition to this general scientific progress as well as to the individuals involved.

I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.

It's very validating when you are new in the industry to get awards. It boosts your self-esteem.

Also, I've already won all the awards.

I dress up for awards, but only if somebody else is going to pay for the clothes. And shop for them, too!

Awards don't really mean much.

I've never been in this business for the recognition or the awards. I just want to do good work, grab a decent paycheck, and move onto the next job.

Between speeches and awards, you can find something to do every other week. It's hard to write. Your focus gets splintered. Once you put one thing in your calendar, that month is gone.

It wasn't on my agenda, but the thing about getting important awards is it makes the adventure of your career have a little more possibility. I think just what's happened so far is already making the opportunities more interesting, even though I'm at the twilight of my career of like 48 years.

Up there with my awards, I have a great big statue of Groucho Marx, just to put everything in perspective.

I love awards, especially if I get them.

Cameron Diaz was so cute at the MTV Movie Awards when she pulled her skirt up and wiped her armpits.

I don't have role models or watch much TV. I go to awards ceremonies but often I don't even know who the people are. I think that's good, because then you don't have preconceived ideas about them.