It's 103 comedians, or however many it is, and how would everyone tell it. It's enough people of substance that it makes you think of the people who aren't there that are alive.

Yet there are some people - Steve Allen would dissect comedy forever; he's a really funny guy, but he would love talking about comedy. I'm doing it right now and you all seem bored.

Paul Riser tells it in an interesting way; he dissects it and tells the structure, you know, 'you don't mention that part here.' But that's what's interesting about it and the people who are absent are interesting too.

I've had a pilot every single year that didn't sell for the past four years, that'll smack you in the back of the head. I had a really good one last year; I wouldn't have done the play in New York if I had gotten that one.

The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.

I think when you dissect a joke too much, you have ruined whatever there is in comedy.

I don't roll like that but I've never been with a hooker either. Yeah, that's good to say in an interview cause I feel bad a little because people grew up watching me and that's a little disturbing.

What I have now are good problems of trying to decide and what I really want to do is good work next. My phone's ringing a lot more and I've got nine lines so when it doesn't ring, it's very frustrating.

I don't like the negative of reality tv - the 'you're no good, so you have to leave, I choose you, but I thought you really loved me.' It's all about how bad people are and I just hate that. I like Pimp my Ride where someone is helping somebody.

It was a JOB; the video show was a JOB; you don't tell the Aristocrats joke at 8 o'clock at night on network tv, it would be funny though. But those guys know I like dirty stuff, I like clean stuff too.

I think Desperate Housewives is a pretty good show, I watch it, I like it and I don't love reality tv that much. I do watch some, I've got three daughters so we'll watch the good stuff, the fun stuff.

I just did a play in New York which has been my best experience that I've had for maybe ever. It was Paul Weitz's play called Privilege and I was in New York for three months.

25, 30 years ago, that meant something, they were making some money. And they were doing all sorts of comedy, screaming at the audience, basically crowd control. And then there was the whole urban comedy scene.

I have a feeling I'm going to wake up one day and say 'I can't do dirty stuff anymore, I want to go all clean.' I'll do clean stuff too, I like to entertain people. Then they egged me on; we shot it at The Laugh Factory.

Now people want what the movie was about, which is violent comedy. And that's really what The Aristocrats is based on - what will a family do out of desperation.

It's 103 comedians, or however many it is, and how would everyone tell it. It's enough people of substance that it makes you think of the people who aren't there that are alive.

There was this whole middle time that only Chris Rock came out of, you know, 10 years ago it was Chris and a few other people, but that's about it. Chris is in a class of his own; I don't see another comedian who I put in high regard as him.

I'm doing 5000 seat theaters and audiences are going nuts, it's fantastic and it makes me very happy. I'm dirty, but not like this; I just do comedy that I find funny. I'm working on a new tv show for cable and it's not set up yet.

I have three kids, the oldest is 18 and her friends are going to see it The Aristocrats because they told her they're going to see it, especially her guy friends.

I become a chameleon for wherever I am.

I don't censor myself, but I don't want to force my sick-skewed version of the world, either.

I never expected to live this long.

I never went to camp as a kid. I couldn't get into an Ivy League school. I wouldn't join a biker club.

I really love making people laugh.

My confidence wavers between being genuine and being insecure.

Soon, I'm going to meet somebody around my own age, and she's going to be smart and beautiful, and I'm going to date her daughter.

When you're famous, you're always famous. It doesn't go away.

Apparently my street has a leaf blower gang who tag team all day so the sounds of the leaf blower are forever blowing from dawn to dusk.

The secret to raising children is to love them. And teach them to operate in a way you can tolerate them the best.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

My favorite comedians were Jimmy Durante, George Burns, senior citizens.

Comedians are not usually actors, but imitations of actors.

Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.

I was up until all hours of the night, listening to stories, meeting great old comedians.

It seems like when I first started, people got into comedy because they wanted to be good comedians.

It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing.

I don't know any astronauts. There are a lot of people who say they want to be comedians.

Ever since I was a kid, I just loved those comedians on TV who would just have fun with the language.

I believe it is important for comedians to know who came before them.

The real good comedians, like Chaplin, would make you laugh and a second later, cry.

Whatever talent I had, I'm sure it helped that my parents were in the business and that I grew up around actors, comedians and directors.

Comedians walk out, get a feel for the crowd. If it's not going good, we change directions. If we got to drag your momma into this thing, we will. Whatever we got to do.

But it's fun to be something, have that, and you don't have to be real. It's like, comedians. They go on and they're doing all these jokes. I would be like that if I were more awake.

I thought comedians had to have black on their faces or red beards.

Comedians don't laugh. They're too busy analyzing why it's funny or not.

They don't make you pay for the humor. It's up and down, but they're trying to give you as many laughs as possible in 2 minutes. They are the most honest comedians ever.

That's why modern corporate movie making has become so laborious that comedians are kind of kicked out by 50.

I used to like writing for comedians - I enjoyed the challenge of making other people funny.

It was a decision to work clean. I just prefer to work that way. I have no problem with comedians who don't work that way. There was a temptation in the early '70s to reconsider. I decided against it.